#fans have every right to point out that this arc is a mess

[thetrashthatsmilesback]

The common argument is that Anakin is mad that he got hurt, but the deception arc actually was more malicious than is often discussed.

This is the script of the episode from the website subs as scripts. Explicitly, Anakin's reaction to Obi-wan's death was used to sell the deceit. That goes further than just doing what must be done. In context, the Jedi know that Anakin is attached, and have decided to exploit that attachment. Whatever one's opinion on the attachment situation, that is why the deception arc was done the way it was - to exploit Anakin's attachment.

I have seen people discuss why using obi-wan makes no sense when characters such as Quinlan exist and specialize in special ops, but I'm going to give the show the benefit of the doubt that there were probably some copyright issues with attempting to use Quinlan for this arc. Unfortunately, the show would have been beholden to any outsourcing contracts and their limitations for EU characters. For this reason, I won't go into why I think Obi-wan wasn't the best choice of character for this arc from a logical standpoint. It's a point I see brought up a lot, and it is fair that the choice to use obi-wan specifically is a bit confusing in universe, but I realize that the show had limitations legally that they had to work around. That's not an issue.

What I do find to be an issue is that the deception arc plays into a wider pattern that appears as if the Jedi are punishing Anakin for his attachments. I don't mean that they are angry he is breaking the code, that is fine. They have a code for their religious order, as a member he is expected to follow it. Rather, I mean the way they go about attempting to help him with his problem with attachments appears to almost always come in traumatic ways which come across as punishment.

With this, we come to Ahsoka. The decision to make Ahsoka Anakin's Padawan was to help him overcome his tendency to form attachments. In theory this could make sense - have him raise a child and then learn to let her go upon her knighting. It is said that Padawans teach their masters just as much as the other way around. Under normal circumstances, this is fine and could be a way to teach him healthy ways of letting go.

Unfortunately, the clone wars were never going to facilitate natural process ending with Ahsoka's knighting. While others might learn healthy ways of letting go upon their padawan's knighting, as a general on the front lines it was always more likely that Anakin's Padawan would be separated from him through more extreme circumstances. Most probably through death. Sending a 14 year old girl to the front lines of a war is, in any universe, incredibly irresponsible - doing so with the express intention that it would teach her primary caretaker to let go displays that one is aware of the danger she was facing. There is no way to read this other than the council hoping that danger coming to Ahsoka would lead to Anakin detaching from her. Her assignment to him reads as punishment for his tendency to form close attachments which affect his thinking and actions.

This is a screenshot which proves Ahsoka was assigned to Anakin with the intention that he would learn to let go from starwars.com.

This, particularly, is where many people get hung up about the deception arc. It is the question of if the ends justified the means - in this case was the use of someone else's emotional attachment justifiable. For this, a brief discussion of the psychology is important.

I'm going to draw from multiple sources, the first of which being sudden.org. You can read the article I am referencing here x.

There are three main factors regarding how heavily witnessing a death will affect a person:

Whether they knew the person intimately.

If they were also injured or at risk of injury at the time of witnessing the death.

Whether or not they were unconscious at the time of the death

If the person who witnesses the death is close to the person, was at risk of injury themselves, and were conscious for the time of the death, then it increases the likelihood of PTSD symptoms developing. Anakin and Ahsoka both fit all three of these criteria.

The likelihood of witnessing a death affecting someone strongly is increased by the following factors:

If there have been long term stressors leading up to witnessing the death

If someone has a strong support system after witnessing the death

Factors which crop up after the death such as bereavement, a perceived lack of justice, personal injury, the scale of the event, litigation, etc.

Once again, we see that Anakin and Ahsoka both fit into several of these factors. They are active participants of the war, often on the war front and deployed. Their support system is lessened due to the stressors of the war. There aren't many other Jedi around as they are all on the war front, meaning their primary support systems are each other. The plan hinged on Obi-wan escaping with the other conspirators, meaning a sense of lacking justice is also present.

These factors alone mean that the plan was likely to cause personal psychological damage to both Anakin and Ahsoka, who, again, were chosen to witness Obi-wan's death because their reactions, especially Anakin's reaction, would sell the ploy.

The next source is about the affects of witnessing a death on the brain. This is primarily in concern of Ahsoka, who at this point would have been about 15. It reporting on a long term study discussing the effects of witnessing a parental figure's death on a child x.

Following children ages 7-17 who have lost a parent and comparing them to children of the same age who did not, those who had lost a parent, even when accounting for outside mental health issues in the children or parents, showed higher rates of PTSD and depression. They also showed academic difficulties, emotional control difficulties, and difficulties in natural development.

Ahsoka's age puts her right at the prime age for these disturbances, and since in the show Obi-wan acts as a fatherly figure towards her, she fits the demographic of the study.

So the means were emotionally traumatizing a young adult and a teenager, possibly to the detriment of their future neurological and psychological development.

The ends however, also need discussion. Because the plan didn't actually work. Dooku figured out that Rako Hardeen was a spy before they even made it to the final show down - many argue he figured it out in the episode The Box. The plan of having Anakin's reaction sell Obi-wans death was unsuccessful by the time the plot to kidnap the chancellor was engaged. Further, the Jedi still almost didn't succeed. The chancellor was still almost taken later that night.

While military plans can fail, the context that this one almost did several times does affect the argument of if it was all worth it. I think it's fair for people to point out that the plan very nearly wasn't worth it, and possibly wasn't worth it to begin with.

Maybe Anakin is just mad he was affected by the plan, but in context the plan was emotionally disruptive to himself and Ahsoka, and in the broader context could be viewed as a vindictive way of teaching Anakin a lesson about attachment which could be taught in less traumatic ways. Trauma tends to cause more unstable attachment, not less, meaning this event could have, and did have, the opposite effect of what was intended. I don't particularly care if Obi-Wan should have apologized or not, but leaving Anakin out of this plan was not simply military necessity. Obi-wan was the general Anakin worked most closely with, if anything it weakens both the 501st and 212th to have obi-wan die - in the books it is explained that the 501st is taken from the 212th when Anakin is knighted. This plan has wider military implications than just Anakin's bereavement that are difficult to parse in any way that makes sense. Anakin might have been upset because he was personally wronged, but the withholding of information that from a military standpoint could affect his own command of his troops and strategy is also dangerous, wreckless, and the affects are left largely unexplored by the show and spinoff comics.

Rako Hardeen You know, one of the worst parts of that arc is that Obi-Wan never actually apologized to Anakin. All he did say was, "I know I did some questionable things BUT, I did what I had to do. I hope you can understand that." That's not enough, especially if he thought that that was okay on ANY level.

could anakin maybe be considered selfish in this moment, valuing his feelings and interpersonal relationships over his obligations to society at large? what if duty to the republic is difficult and requires sacrifices that anakin is simply unable and unwilling to make? have you considered that the tv show is trying to show a fracture point in their relationship that will be exacerbated until they fall apart in revenge of the sith because of opposing ideologies, anakin to his selfish, greedy, possessive clinging on, and obi-wan to subordinating his feelings to do what he must, as best he can?

[lurkingshan]

Japanese QL Corner

We are up to seven live airing QLs from Japan! Five of these are on Gaga and two are being generously provided via fansubs.

A brief interlude for me to climb on my soapbox: if you are a fan of Japanese queer media who is not based in Japan, you really should be supporting GagaOOLala. They are the sole international distributor of most of these shows and the only reason international fans can watch them as they release. They’re a queer-owned Taiwanese company specifically focused on providing international access to global queer media, and their monthly subscription is much cheaper than other streaming services. They’re not perfect but they are quite responsive to feedback about their catalogue and approach; please consider subscribing if you love these shows!

I’m really loving most of these shows and I highly recommend jumping in to the weekly watch!

Takara's Treasure

I fall more in love with these two every week. We finally got some answers on Takara's backstory, and as expected, it is the mother who abandoned him that has been harassing him. Taishin blazed in to give that lady a piece of his mind before even realizing who she was, and it only made Takara love him more. The revelation that Takara is holding back with Taishin because he doesn't want to be covetous like his mother sent me into a bit of a tailspin. I loved Taishin getting his moment to reciprocate Takara's care, as well as Takara's amusement that Taishin still hasn't pieced together what they are to each other. I'm excited for it to finally click for him soon.

Sugar Dog Life

I'll be honest, this first episode did not hit right for me. I always struggle with copaganda heavy romances, especially when the show is intentionally framing cops as benevolent and explicitly linking that to the romantic arc. But I liked the cooking parts of it a lot! We'll see how it proceeds. This one is being fan subbed, so if anyone is having trouble finding it feel free to hit me up in DMs and I'll point you.

Cosmetic Playlover

This one is coming in hot with two episodes a week, because Japan is trying to kill me. I like the concept and vibe but the execution is a bit all over the place; it feels like they want this to be a dark story but aren’t willing to fully commit to that, so dark things happen but then get treated too lightly. The pacing also feels a little wacky and we’re rushing through plot and relationship development in a way that leaves it all feeling a bit ungrounded. Sahashi went from harassing and threatening to out Natsume to kissing and claiming to be serious about him in the space of 15 minutes, and then suddenly in the next ep there’s a new villain and suspense plot. This one is just not clicking; I’m tilting my head with a furrowed brow.

I Hear the Sunspot

Sigh. I really didn’t need another arc about a third party interloper coming between the boys, but here we are. Maya is a throwback to the bad old femme fatale archetype steeped in misogyny and I don’t love it. She’s arrogant, manipulative, and mean for no good reason, and she doesn’t feel like she fits in this story about decent people trying their best. There was a way to do this plot with a more sympathetic portrayal of her, but unfortunately they didn't take that route. I’m disappointed that she’s with us for multiple episodes, and it’s hard to believe this rude little girl can really come between them. I said last week that it felt like they regressed Kohei and Taichi’s relationship in the time skip and I’m feeling that even more now. Aside from this mess, I really liked all of Taichi’s scenes with his friends this week as he continues trying to work out his feelings for Kohei. I hope we get back to Taichi and Kohei spending time together again soon; that’s the real heart of this show and I already miss it.

Ayaka is in Love with Hiroko

Sigh. Last week I was mad at the characters around Hiroko, but this week I am forced to be mad at the show for how it's dealing with this entire plot involving Hiroko's decisions about her privacy at work, Risa's inappropriate interference, and Ayaka's bizarre conclusion that she should announce her love for Hiroko to the whole office. This whole love triangle and forced outing plot was ill-considered and it's dragging the show down; we should not have had Risa being so wrong and manipulative or ventured into queer workplace politics at all if the show wasn't prepared to take it seriously. On the plus side, we finally got the backstory for Hiroko, and it was surprising in a good way. I hope this show can get back to the zany comedy it was doing so well before it got bogged down in all this mess.

Mr. Mitsuya's Planned Feeding

Episode 3 just went up on @isaksbestpillow's blog, and it's a fantastic one. I was howling watching Mitsuya wailing on his ex and poor Ishida trying to process this new rival on the scene. Shige continues to be the MVP and I loved the way he encouraged Ishida with a mix of sage advice and sexy sass (also loved that Mitsyua immediately knew that gossip ratted him out). And I screamed again when Ishida got worked up and confessed; I didn't expect that to happen so fast and it was excellent! This show feels so mature in the best way; I really feel like I'm watching adults who have lived.

Tagging @bengiyo to add the anime update!

[agoldenblackbird]

i'm gonna be a ranty bitch for a minute.

tbh i'm turned off even reading new buddie fic despite being a multishipper and have unfollowed a bunch of buddie accounts because i'm sick of the smug attitudes. one ask that i am otherwise not going to publish or respond to ended with 'sorry you don't understand media literacy bestie :)' fuck off. listen INFANT, i have been writing fanfic and original fic AND watching, reading and analyzing queer media since before you were born, i understand how character and story development works, and i know the difference between 'storyline i personally disliked' and 'bad writing.' this was BOTH, and it also was marketed to us as 'carefully crafted bi rep' and 'queer love story that is not about a bunch of pain and conflict FOR ONCE' so we have every right to be upset at the bait-and-switch.

the fact that i'm seeing the same exact posts - 'bt bones buddie CANON' that i saw three seasons ago after the bucktaylor breakup, or every time they thought buck and taylor MIGHT break up - says something. the fact that so many fans seem genuinely convinced (STILL!) that buddie is inevitable because there have been so many 'signs,' and then they rattle off a convoluted theory that would make the most hardcore taylor swift stan say 'wow, that's a bit of a reach,' honestly weirded me out a little when i first joined the 911 fandom. i have never been in a fandom where so many fans are insistent that their ship will be - not might be or could be, but WILL be - canon. i am skeptical both from past experience with other shows mishandling queer storylines or ship-baiting, and tim minnear's proven track record with this one of not really knowing what to do with buck's LI's. but i didn't want to yuck anybody's yum, so i let them have their theories and squee in peace, and unfollowed or blocked certain tags if i was seeing too much of it and getting annoyed. it's too out there for me, but i'm glad they're having fun!

yet they can't give us the same courtesy. they deride us as delusional for thinking that a canon pairing that was presented to us both in promo and the show itself as different and important (eg the bobby approval convo and 'buck getting off the hamster wheel') might last, and we're stupid to have ever liked tommy or lou or be disappointed at how the breakup was written, and if we point out the biphobia it's just sour grapes.

the bucktommy breakup is not the first time 911 has started out strong with an interesting storyline and fumbled it in the 4th quarter either because the writers got bored or in the name of needless drama/a 'gotcha' sudden twist. amir & bobby, eddie's fight club arc, the sperm donor SL, hen vs councilwoman ortiz, whatever the hell is going on with harry, the whole mess with shannon/kim, just to name a few. and especially the past couple of seasons, for me since 6b, the pacing has been off. they seem to have too much happening at once and many of the storylines don't have enough room to breathe to be narratively satisfying, or they get resolved in ways that feel lackluster.

if the toxic buddie stans who have been attacking lou on sm and sending death threats (wtf!) actually get what they want, which i admit is possible, but it's certainly not guaranteed….i don't know why they think the writers won't fumble that just as badly. it's not going to happen precisely the way they want it to because it is impossible to please everybody, that's what fanfic is for. but at this point i have zero faith that it would even be well done at all, and zero trust in the writers not to just sabotage or regress a character for funsies, and that's an excellent reason to stop watching the show. in most of my other fandoms i regard canon as a jumping-off point or a blurry outline at best, and i can have just as much fun in the 911 sandbox without any further input from canon at all, once i'm less angry.

[nebbistrs]

more bnha/mha headcanons!

part one!

(i recommend you read through my first set of hcs bc theres a few references jajaja. i did say its a ref. on those points specifically tho lol.)

• katsuki wears hearing aids, but refuses to learn sign language. does he know it? yes, but hes very pissed about it

• even before the final arc, katsukis arms were already very messed up. fighting at the end just worsened it, almost to the point his arm may never recover if he breaks it again (kinda laike izuku)

• katsukis hero costume head gear thingy also works as a muffler on his ears

• katsuki listens to heartbreak songs even if hes never experienced one

• izuku spies on hitoshi when he trains. hitoshi always catches him and its super awkward each time, but they become rly close over time

• izuku plays persona games (nebstar is totally not planning a persona 3 au with bnha characters)

• besides katsuki, the person in the class izuku takes the most notes of is shoto and ochako

• izuku buys hitoshi banana milk (ref. to prev. headcanons lol)

• izuku use to be an undertale fan

• ochako works part time after school at a nearby cafe

• ochako listens to heavy metal when she works out, but her other playlists are early 2000s songs. she asks izuku for recommendations sometimes (referencing pt. 1)

• ochako originally voted for tenya to be class representative, but thought he would be too stuck up so she changed her vote to izuku

• ochako wants to take up sewing, its one of her after school clubs

• tsuyu loves to watch romance shows even though she usually complains about how unrealistic they are

• tsuyu didnt see toru one time, so as she was using her tongue in training and smacked the absolute shit out of her by accident. she still feels bad about it to this day

• whenever its too cold, tsuyu asks mezo if they can cuddle. theres been times (multiple) mezo has to take her to her room because she falls asleep bc hes so warm and gentle

• momo depises wearing pants. she grew up a prim and proper lady so she lives in dresses and skirts. even a majority of her pajamas are night gowns, if not, it has to be a silk matchibg set

• sometimes when the girls notice tsuyu missing her family, specifically her brother and sister, they let her do their hair

• momo has an intense fear of heights, which is why she never gets on roller coasters

• momo listens to classical music. theres no way she doesnt.

• until U.A, momo never had any real friends. even though she went to private school, her 'friends' were very fake and used her for her money

• mina lives in gyaru fashion & makeup outside of school. even during school she tries to do her heavier makeup but is often reprimanded for it

• despite her whole pink aesthetic and room, minas favorite color is actually purple

• mina actually hangs out with eijiro and tetsutetsu a lot

• watches your lie in april every april. and its not one day, its everday of april. and mina cries every time

• hanta moves very well with his quirk, but actually prefers to skateboard

• hanta actually won a skateboarding competition right before enrolling at U.A. bro did some crazy stunts

• when he has nightmares about fighting villains, tape shoots out of hantas arms and hes unaware until the morning when he finds himself covered in tape instead of his blanket

• hanta has a pair of cargo pants for every possible occasion. yes, cargo pants.

• automatically in winter, mezo will wrap his arms around tsuyu to keep her warm and snow away from her.

• even though modified outfits for quirks are actually very common, mezo still cant find coats for his body. he has one and its been through shit. instead he turns into elsa from frozen and says, "the cold doesnt bother me anyways"

• mezo keeps a stuffed animal in his room despite saying having a lot of stuff was unnecessary. he keeps it because it was from the girl he saved when he was younger. she gave it to him and told him if he felt sad that the stuffed animal would be there for him

• mezo would sneak into the city because he hated how he was treated when he was younger. he ended up joining a dance group where everyone was 18 and older. they still reach out to him and support him. literally, they were cheering for him at the sports festival even if he didnf make it to finals

BONUS!

• momo and tenya have study sessions together. since she is the top student he doesnt go to anyone else

• shoto gives nicknames to all his pokemon. they are named after his classmates. there is at least 5 of each classmate as he tries to complete the pokedex (ref. to part one)

• rikido has a big fat crush on one of the girls in class 1-b but doesnt know how to confess or even if she will accept so he bakes cakes for her and gives it to her before school starts

• denki sneezes like a girl and kyoka sneezes like a 50 year old man. they always tease each other about it

• eijiro had a wedgie and pulled it when he thought no one was looking but tetsutetsu and mina did and they will never let it go.

[rappaccini]

okay. i've already autopsied tua but a final overview may be in order. i'll do it one more time.

season one was the only good season of umbrella academy. it had issues, but those issues didn't yet compromise the story or the themes. season one had a stylized production, great cast who at that point were still playing their characters instead of themselves, strong story that mostly carried (though there was some filler), and fantastically coherent themes. the cracks in the foundation were always there. but they could have been fixed.

season two was bad, but entertaining enough to hide its flaws. it had a bigger budget, glossier production value, more action, a cool new setting, more Fun Moments, enough momentum from the source material to mostly fill up the season, and the character assassination didn't have time to reach its consequences yet so everyone acting like the fandomified version of themselves worked for the people who were just here for the fun. it also dropped in the summer of 2020, when people were desperate for escapist entertainment, and there was little superhero fare to compete with (and when the protests happening that summer had people wanting to Say Something about civil rights without actually wanting to change anything). the bar was lower, and season 2 cleared it. but season 2's story broke. look back at the actual story, and you'll see it.

season three was bad, and not entertaining enough to hide its flaws. it had some interesting ideas and good moments, but the whole thing was a slog. the pacing was terrible, the character assassination couldn't be denied anymore, and the momentum from the comics ran out and left the writers to their own devices, which revealed they had no plan, no substantive creative backbone, and no understanding of what they were making. season three could have saved the show with a hail mary of tight writing to pick up the slack, but quadrupled down on the problems and guaranteed it was past the point of no return.

season four was terrible. somehow with a reduced episode count it still dragged, every single character has no growth, the basic logic of the story is missing and the continuity is a mess. and ending the story about abuse victims trying to heal on them concluding that they should all just kill themselves makes the story both pointless and rotten. at this point it was a given. you can't recover from two bad seasons back to back. season two shot the show in the gut, season three let it bleed out instead of healing it, and season four kicked its corpse a few times for a couple klaus jokes, then confirmed that its very existence was a mistake. very meta.

so. what were the cracks in the foundation.

the lack of respect for the source material. as soon as they tried a plot that had no connection to the original comics, they were fucked. but even before season four, they were all over the place. in fact they still haven't adapted most of the comics. john perseus, calhoun, deever, dr terminal, the academy at war with each other in the 1960s, the actual purpose of hotel oblivion, the chimpanzees everywhere, the 1980s period setting, clarissa and oscar, the coming of the squid monster, carla the sparrow, grace having her own secret agenda, the actual character of jennifer? just not here. even the raygun gothic aesthetic is watered down and eventually barely even present.

the spinelessness of the creative team. as early as season 2, they were throwing character arcs and themes in the trash to beg the fans to love them. they had no plan and just wanted cheap thrills.

the lack of internal rules. the time travel mechanics don't make sense. viktor's powers just do whatever. lila's powers eventually just do whatever. the central reveal that vanya's medication had been repressing her powers, set up by klaus using drugs to do the same, is undone by season 2's climax revolving around vanya somehow using her powers despite being drugged. the 'marigold' reveal about their powers makes no sense (why does luther get his body back? we don't know.). there are no stakes with no clear world limitations.

the good victim bad victiming. as early as season 1, the show was arguing that harold jenkins is irredeemable for killing his abusive dad. that should've been your first warning that they were going to try to redeem reginald and have the academy basically kill themselves in the end.

the lack of continuity. as early as season 1, the writers forgot number five had a time travel briefcase sitting in the library, or that helen cho's body was in harold's house when he, allison and diego search it. then they forget when luther got disfigured in season 2. then they forgot how the powers work. then they forget literally everything about the story.

the racism. all the characters of color get the worst plotlines in season 1. allison loses her narrative in season 2 and gets it replaced with a civil rights plotline that concludes that 'hey, there's a black president someday!' diego and lila prance through the jim crow south without dealing with segregation as allison is hatecrimed every episode.

the sexism. look back at how all the female characters are treated. look back at how allison's mistreatment of patrick and claire is glossed over, and lila fully gets away with manipulating diego. look at how vanya's 'redemption' is all about finding maternal instincts she never had until season 2. look at how allison's assault of luther is dismissed the way it never would have been if the genders were swapped. look at how sloane is juxtaposed against allison.

the homophobia. the queer characters were either stereotyped or used as glaad award bait. the queerbait of ben and klaus's entire dynamic.

the ableism. in the comics, luther has mobility aids and his disfigurement is treated like a debilitating condition, not a punchline. his eating disorder isn't mocked. vanya's in a wheelchair after she's shot and goes through months of physical therapy and is still never the same. allison is an amputee. diego has one eye and severe ptsd. everyone's mental illness is taken seriously, including and especially klaus's addiction. in the show these elements are downplayed, absent or fuel for quirky moments.

the show is full of filler. the murder mystery plot, the meritech plot, allison following leonard around, the day that was/wasn’t…. even in season 1, there wasn't enough material to make ten episodes. there was never enough for a ten episode run for any season. and yet somehow the one season with the right runtime still drags.

the spectacle. in season 2 they fully lean into it over substance. case in point: the dance sequence.

actually i'll go into that in detail because the dance sequence sums up the whole show and its downfall.

in season one, the pilot's iconic i-think-we're-alone-now dance sequence was an emotional moment that symbolized how all the characters feel isolated and disconnected from each other, but are secretly interconnected and far more in sync than they realize. the song was catchy, but "i think we're alone now" is literally a commentary on the story it's playing over: now that the academy's abuser is dead, they can finally unwind and love each other, and they can fix their problems by literally "running as fast as they can, holding onto one another's hands." -- and how does the season end? by them doing just that.

in season two, allison, klaus and vanya's salon dance is meaningless because vanya has no clue who these people are, klaus has never given a shit about vanya before (watch season one. he doesn't care.), and allison should hate her at this point in the story. it's just there for fun... but if you swapped vanya with ben it would work as a joyful reunion between these three people. the concept of the dance is fine, but the decision to make it a fanservice moment throws it off.

in season three, the dance sequence comes out of nowhere as a ~wacky random fun moment~ to call back to the first season. the footloose song has nothing to do with the story, it's just fun and catchy. there is no substance to the spectacle anymore. it's just dumb fun.

and season four ends in 'i think we're alone now' for no reason other than to ask the viewer to remember when the show was good. no fun, just dumb.

... let's look back at the themes season one sets up.

the road to recovery takes a very long time, and you will fall off it and have to climb back on.

corporations don’t have your back. they’re soulless and they want to suck the life out of you.

abuse does not make nice people. abuse does not make happy people. there are no good victims or bad victims. (except leonard, i guess.)

it’s difficult to tell where programming stops and free will starts; toxic behavior begets toxic behavior, and we have to own up to it, stop it, and resolve to be better.

redemption is possible. the bad things you did in the past don’t define your future.

you're better together than apart. 

time. changes. everything. it isn’t too late to have the life and the love you wanted. it isn’t too late to realize your talents, or become a better person, or free yourself from a bad situation. it isn’t too late to get together, or to make up or to change your mind. there are no lost causes. the world is worth saving. your enemies are worth showing mercy to. your relationships and friendships and broken families can be salvaged and reshaped into something new and better.

things are fucked, but if we give it everything we have, we can save it, and it’s worth taking up that fight, because nothing is set in stone.

fuck it, be happy. 

remember those?

i'm gonna get into it character by character:

luther.

his entire plotline was meant to be about realizing he was abused, disavowing his abuser and finding his confidence to become the leader he never got to be and go after the love he lost with allison and make a family with her and claire. that was his starting point.

and the fandom hated him rabidly. they said he was just as bad as his father, insisted that he had no redeemable qualities, made fun of his body and his traumas, took the situation with vanya and removed all the moral grays to call him evil over it, and insisted that he was Somehow Abusing Allison.

in season 2, luther has conveniently disowned and confronted reginald offscreen before the plot starts.

he immediately apologizes to vanya, who is an amnesiac and can't actually hold him accountable for hurting her, and the situation is never mentioned again.

his body dysmorphia is played for laughs.

his intelligence and leadership qualities are gone and he's just a bumbling idiot. remember when luther was an astronaut who effectively kept up a faulty space station for four years on his own? could you believe this dumbass was that guy?

he's a punching bag for the fans who hated him.

and season 3 seals the deal. he's still an idiot, he's still hideous.

his romance with allison is destroyed as offensively as possible to reassure the fans who hated alluther.

his romance with sloane is a clumsy attempt to keep the payoff he and allison should have had into the story as they're placating the fans who hate them.

and in season 4, he's... a stripper. he never finds a way to love his body, he just conveniently doesn't have it anymore, and he's still treated like a joke for it.

he never meaningfully takes command of the academy, he just stops trying to.

the wife season 3 insists he loves so much is gone and he doesn't give a shit.

he never even confronts allison for assaulting him, or reconciles with her and has a significant relationship with claire.

he decides to just die.

his entire character trajectory was aborted after only one season. he spent 75% of the runtime with nothing to do, because the fandom hated him and the writers were too cowardly to follow through with his character.

diego.

his entire plotline was meant to be about letting go of his aggression issues by finding his place in the family, reforming his rivalry with luther into a deep friendship based on mutual support and unpacking his 30 year history with vanya in order to finally be happy and in love with her after facilitating her redemption.

and his character's arc is dependent on others....

so in season 2 when luther's arc was canned, so was diego's journey towards letting go of his ego and finding a way to support luther after spending his whole life being pitting against him.

in season 2, when allison's arc was canned, diego ended up with the commission / jfk assassination plot that was never meant to be his. his entire dynamic with number five was hers.

in season 2, because klaus took his vietnam plot in season 1, diego doesn't have one anymore, so there's no way to meaningfully unpack how he feels like his only purpose is violence. instead, his anger issues are totally ignored.

and in season 2, when vanya was split into elliot-page-playing-himself and lila, the romance went out the window too. yes, diego falls in love with lila, but he barely knows her, and all she's done is manipulate, drug, kidnap and hurt him and the academy... yet all that bad behavior is totally ignored in the Show About Abuse And Trauma, because they have chemistry. there's no deep, complex history between them that could have anchored the relationship. the redemption arc itself is rushed and undeserved.

oh, also, he doesn't feel upset about eudora anymore. never mentions how he got her killed, or that he loved her.

then in season 3, diego has nowhere to go but deeper into his romance arc. he has no tension with luther to resolve (and with the show assassinating alluther, there's no 'we both love our girlfriends and want to make it home to tell them that, so let's get over our bullshit and help each other get there' revelation like in the comics). his relationship with lila gets even weirder, with her... deciding to babytrap him, getting a kid killed in the process, and it being framed as quirky and hot. and no eudora again.

and in season 4, diego is a family man who doesn't give a shit when his kids are wiped from existence, whose marriage is about to implode. who decides to just die.

there's just... nothing. he's just himbo #2.

allison.

her entire plotline was meant to be about realizing how culpable she is in the abuse of her family, unlearning those manipulative tendencies and figuring out how to exist authentically, making amends with the people she hurt-- especially vanya and her ex-husband and daughter-- and restarting her life with someone she can love: luther.

allison isn't formally character assassinated until season 3, but she was wrong from the start.

because in season 1, they had her be already past all those things in the pilot episode because they're too sexist to let women be messy. allison is conveniently totally in control of her behavior and has already decided not to use her rumor anymore. she already accepts responsibility for hurting her ex and daughter.

and the writers refused to let her and vanya be angry at each other because ~we don't believe in girl hate~. leading to allison forgiving her for slitting her throat and leaving her to die.

in season 2, the writers wouldn't give her the commission plotline from the comics. allison was the protagonist of the dallas arc, who had a complex story about being willing to alienate her loved ones in order to save them, being ruthless enough to belong at the commission, making deals with the devil to get her powers back and save her the academy.... and unknowingly creating a paradox where she is responsible for the traumatizing incident of watching someone be killed when she was a girl.

instead, allison is saddled with a c-plot about how you have to be nice when you protest, and how fighting back violently against the racist who tried to literally hatecrime you yesterday makes you just as bad as him. rewatch that scene. look at how it’s framed. that’s the takeaway.

and throughout allison's time in dallas, none of the academy check in with her on how she's doing. no one cares. even when she was attacked at a protest they all know she was at, no one asks her if she's okay.

instead of showcasing allison's ruthlessness and dedication to her family, we meet her having conveniently moved on after her daughter was killed, happily settled into dallas with a new relationship, and having given up on ever finding a way home.

instead of showing allison learn to adapt to life without her rumor, we meet her having already figured out how to get a job, make friends, and have a relationship without it. she doesn’t even have to find the courage to join the activists because she did already.

instead of allison learning how to live without a physical voice, she can just talk again. her power's just... back.

instead of allison being rightfully furious at vanya for disabling her, depowering her, stranding her alone in the jim crow south for years, and killing her child... she instantly forgives her. dance party! no girl hate here!

her romance with luther is intact, but the writers know you hate it, so they're trying to please you by giving her a romance with a man who she doesn't trust with any information about her, who doesn't trust her, and who allison doesn't hesitate to abandon five days after luther shows up. but hey they have chemistry, so they were Truly In Love, apparently. no seriously, the raymond romance is bad.

season 3 tries to do the heavy lifting with the messier aspects of allison, but this happens too late, and it mostly functions as a way to assassinate her character to turn her into an angry black woman stereotype so they can kill her romance with luther as meanly as possible, and set sloane up to take her place.

she suddenly cares that her daughter is dead and that viktor technically killed her after an entire season of not caring. and her decision to alienate the academy to save her rings false because she spent two years not caring. why now.

her romance with luther implodes when the writers decide to just do what the fandom wants and make it Toxic All Along, after two seasons of framing it in the most positive light possible. and allison sits front row at his wedding to a woman he barely knows, smiling through it like that wasn't supposed to be her, or like she didn't just assault him.

because viktor and allison have had such an artificially nice relationship, there's no payoff to them learning to love each other again, like viktor encouraging the group to sympathize with allison afterher betrayal.

the effect of this is that at the end of season 3, allison has regressed into the person she was before season 1, but do you even want to see her get better or get along with the academy after she tried to assault luther, killed viktor's stepson, and sold everyone down the river to live in a fantasy world?

good news! all that doesn't matter in season 4! luther and viktor never confront allison for doing that to them. the whole family's over her betraying them. raymond? oh, he's just gone. yeah, he left between seasons. we won't even unpack the implications, or that allison's right back to being a divorcee whose husband abandoned her after learning what she did with her rumor, trying to live without that power. oh and don't worry, she isn't dependent on her power anymore. yeah, we just solved that offscreen again.

claire's here, but is there even a point.

allison and klaus's relationship is intact, but because the show won't seriously examine klaus's addiction, we can't discuss how they enable each other, or how allison's manipulative tendencies or klaus's flightiness and addiction might be affecting claire. no more intergenerational trauma discussion here.

allison has nothing to do because slowly learning how to admit how much harm she inflicted on her loved ones, live without her power, and earn vanya/viktor's trust back was her arc and it's... all over the fucking place.

then, she decides to just die.

klaus.

his entire plotline was meant to be about realizing how much damage his addiction has done to himself and his family, getting clean and conquering the crippling fear of his power that made him an addict in the first place.

then in season 2, he's clean offscreen. no exploration of klaus trying to stay on the wagon for the first time in decades. we're just three years into him being totally fine sober. no complications.

and his relapse is played for laughs instead of treated like a devastating moment.

in season 2, his grief over dave is glossed over. yes, we see dave for five minutes, which is more than the three minutes he got in season 1, but klaus is Moved On Already. no discussion of what this relationship meant to him (... or how ben was affected, being the third wheel). no rumination. just a quick 'here's dave to shut the fans up' and on we go.

in season 2, klaus's excitement about exploring his powers' potential is gone already. yeah, he figured them out offscreen.

his cult plotline replaces his comics story of being a clubkeeper in vietnam and becoming a father (yes, klaus has a baby in vietnam), and the entire plotline is a mean-spirited metanarrative about how dumb the writers think his fangirls are. like. fucking look at the narrative. they're making fun of you.

and yet there are no serious consequences to the implications of klaus immediately turning into his dad the second he gets a little power. he isolated a bunch of people from the outside world, derailed their lives, tattooed them, got them hooked on the idea that The End Is Nigh and Only He Can Save Them, got them to have sex with him, and only stopped manipulating them because he was bored. not even because he realized it was wrong.

his relationship with ben is queerbaited to hell, and has no resolution.

he spends the entire season deliberately keeping ben isolated from the rest of the academy, and this is never meaningfully examined. klaus is an absolute bastard in season 2, and the writers don't acknowledge it.

by season 3, he's just a joke machine and a flamboyant stereotype. he never has a substantive interaction with sparrow ben, or struggles with his sobriety or his addiction in a way that takes it seriously. even his meeting with his mother feels empty.

and in season 4, the mothers of agony plotline from the comics is so disjointed that it's meaningless. in the comics, this is his lowest low, that ben helps him come back from.

any depth to the implications of his immortality is gone. it's just funny that he's a germophobe.

(... immortality? how'd he get killed in the first season apocalypse timeline then. no answer? okay.)

any potential in his relationship with allison and claire is gone.

like luther, his crucial development is skipped over and he spends half the season wandering in circles making jokes.

and he decides to just die.

five.

his entire plotline was meant to be about learning to trust the academy and work within them as a team member rather than running off and doing his own thing. and about slowly learning to be a person instead of a vehicle for the mission.

in season 2, he inexplicably lets the commission go and trusts they're Good Now thanks to new management, after making it clear in season 1 that he can't ever trust them.

in season 2, his antipathy with vanya is transferred to lila. he never accepts responsibility for his role in leading to her isolation.

in season 2, instead of trying to get the family together, he's still working on his own.

in season 3, instead of riding hard for viktor and sympathizing with him, he calmly tells him he'll put him down if he ever steps out of line again and ignores him the rest of the time.

for three straight seasons, he's the plot driver. but three seasons in with no other characters having a coherent arc, the plot driver became all he was. he couldn't slow down or have an emotional moment because he's the only thing moving things forward and all the people who can bring out those emotions are so ooc that it won't work.

then in season 4... oh boy.

he's not the plot driver anymore because there's no plot.

five slowly trying to embrace domesticity could have been interesting... but boy does it fall flat.

five created the commission! no, we won't discuss the nature of him being responsible for his own abuse, or perpetuating the cycle that led to the apocalypse and the academy's misery.

five falls in love... with his brother's wife, who he hates, who hates him because he hog-tied and tortured her parents to death in front of her when she was a little girl. okay.

then he decides to just die.

ben

his entire presence in the story was building to a reveal that he's only staying with klaus because he's in love with him.

in season 2 they queerbait that connection for ten episodes by framing him as a literally possessive boyfriend, give him a 'love interest' in jill that makes no sense, kill him off in a scene that makes no sense because that's not how their powers work, and have the vaguest 'by the way he was in love with you' reveal via vanya that feels like an afterthought.

klaus keeps ben from talking to anyone in the academy for the whole season for no reason. he never mentions why, ben never gets mad at him. there are no emotional consequences. ben spent an entire season able to talk to the academy and inform the world and nothing ever comes of this.

in season 3, ben's a totally different character. none of the umbrella academy have emotional reactions to seeing him alive.

not even klaus.

and he feels nothing for them.

he also feels nothing for the sparrows, who drop like flies around him without him giving a shit.

in season 4 he's a completely different character again.

no interest in reuniting with his sparrow academy mates, or the umbrella academy.

he's a crypto bro for some reason.

the south korea subway ending stinger? idk where that went.

the show does use the comics' likely endgame of ben being the portal through which the final antagonist arrives. but they do it in such a strange, meaningless way.

the romance with jennifer comes out of nowhere and makes no sense. it's unclear why he'd want to become a blob with her. there's no emotion anchoring this plot.

also, jennifer was a large, dark-skinned black woman in the comics and... isn't here. (it's also unclear if jennifer was romantically involved with ben in the comics, or if she might have been one of the kid's mothers. so uh. we'll see how that ends up.)

his tentacles come out of his back sometimes. huh?

the reveal that he was killed by their father and they were all brainwashed makes no sense. especially given that allison has brainwashing powers that are never used to cover this up.

there's never a meaningful payoff for ben as a character.

and vanya/viktor…

to start, seasons 1-2 will call her vanya because that's how the character was written, performed and received. seasons 3-4 will refer to him as viktor. that's why the name/pronouns switch back and forth in this post. those are two different characters.

alright i'm gonna say it: the show basically killed off vanya at the start of s2 and split her into two characters: lila, who's the white violin from the comics-- and has vanya's style, punk musicianship, romance with diego, mutual hate with five, alliance with the commission, status as the most powerful character, and role as the antagonist who needs a redemption arc that rejoins her with the family-- …. and the character that would become viktor, who's just elliot page playing a flattened version of himself for token queer points.

the show literally got rid of its main character one season in, sped past all the conflict with the academy to the part where they're all besties again, and gave all the interesting shit to an oc. and they did it because they cared more about profiting off of elliot page's queerness than trusting him to do his job as a professional actor, and supporting that performance in the face of a fandom that only saw him for his sexuality/gender identity.

season 2 skips over vanya learning to use her power and lose her fear of it. she's just good at it now. also, the character will never use the violin to channel her powers again, and will never again acknowledge her love of music, because elliot page didn't like playing the violin. like, sir. what are you doing playing a character called 'the white violin' then.

season 2 skips over her rage and hatred of the academy. instead of being afraid of them, avoiding them, and being hostile whenever they interact, she's instantly cool with them, dismisses their years of mistreatment and dismissal, and is part of the family with no friction despite trying to kill them, blowing up the world, and killing their niece.

season 2 totally resets her personality. amnesia! she's nice again! we know you hated her when she was angry, so don't worry about that!

season 2 gives her a romance with someone who she has chemistry with, but who fundamentally doesn't understand her. the entire relationship is just fanservice. remember the lesbian vanya truthers who thought elliot page could only play characters who were lesbians because he identified as a lesbian at the time? remember their "give vanya a girlfriend" whining? this entire plotline was for them.

season 2 hands the moment where the academy understands vanya and empathizes with her in a moment of superpower meltdown.... to harlan.

in season 3, diet elliot page just becomes overt. it's great that page's transition was incorporated into the show at his request, and at this point the damage to the character's so massive that at least they're being honest about the character just being a different entity from vanya entirely. like, fuck it. you already gave all of vanya's character to the oc. might as well.

though it's great that the transition is quickly incorporated into the story, it happens so quickly that a very easy plotline for viktor in s3 is just rushed past. he has so little to do, the transition is such an obvious fix, and they just... don't do it.

because viktor magically has full control of his powers, there's no more growth from him. and at this point his powers just do whatever. who even knows what his abilities are. the show sure doesn't.

viktor is a beloved member of the academy with no friction whatsoever, even though they're trapped in an alternate dimension because of him

allison's anger at him is demonized instead of deconstructed.

the harlan plotline certainly exists. very funny that the show casually reveals that vissy ruined sissy's life and never goes into the emotional consequences of this.

in season 4... yeah this character has nothing to do. he never expresses anger at allison over killing his stepson. his powers are even more vague. he's in canada for some reason, just to complete the transformation into elliot page.

then he decides to just die.

the main character of the story was essentially killed off one season in. the whole thing became adrift because without vanya, there's no main character anymore. no central antagonist with history with the academy, no emotional weight to their connection, no payoff to a slow redemption arc that unfolds over multiple seasons. just shenanigans.

lila

took over the vanya storyline in season 2.

lila is vanya from the comics.

vanya's hatred of the umbrella academy and antagonism towards them? it's now lila's.

vanya's alliance with the commission to destroy the world? nope. lila's the commission's ally now.

vanya's status as the most powerful character? now it's lila.

vanya and five's mutual hate? now belongs to lila and five. even the fiveya vibe rubberbanded into That in season 4.

vanya's slow redemption from a hateful villain of the academy into one of its most crucial members is handed to lila. who barely knows these people, has only ever hurt them, and yet is treated with more empathy with them after three days than vanya received in thirty years.

vanya being set up as the character who'll save the umbrellas from the sparrows? nope, that's lila now.

vanya's romance with diego? that's lila's now. no, it doesn't make sense but they have chemistry.

then in season 3... oh god. instead of unpacking lila's severe mommy issues from being abused by the handler, she's just over them now.

the academy immediately trust and embrace her even though all she's ever done is hurt them.

and for some reason, this character who's shown no maternal instincts randomly decides she wants to be a mom because her one night stand with diego, who she knew for a few days, got her pregnant.

and she tries to convince him a little white boy is their kid to test if he'll be a good father and doesn't give a shit when that child turns to dust. what are we doing here.

then in season 4, their romance doesn't even mean anything. neither does their family. they're already on the verge of a divorce. which... yeah, follows, given what their romance actually consisted of.

then she hooks up with number five, who killed her family in front of her when she was a girl. what.

.... and then we die.

the whole thing came apart in season 2. you just didn't notice yet.

and here's where i get cunty and set aside my belief that writers have an inherent responsibility to never kowtow to their fans no matter what, because the fandom is a big part of how things went wrong, and someone has to talk about it.

the umbrella academy begun as a complex metaphor for recovering from abuse, using superheroes in a gothic-adjacent setting. every single character's power is allegorical of an attribute one may take on from living in an abusive home. (and part of the missed potential in lila is the failure to fit her into that metaphor too). and the metaphor is literally in the name: the umbrella academy.

it's an academy. not a family. the characters are only adoptive siblings because reginald needed a legal way to bind them to him. they grew up in a twisted boarding school, which they explain again and again, and call each other siblings out of habit, which they also explain. and they are choosing as adults to overcome the trauma that pitted them against each other to become a found family.

... i'm gonna say it. the pseudoincest is a vital part of the story, the same way it is in the comics. that was how they were going to love each other. their ability to love each other was the sign that the brainwashing failed, and the found family was, like actual found families, going to involve some of those people pairing off romantically. allison and luther. ben and klaus. vanya and diego-or-five. that was the story.

the umbrella academy is both a giant metaphor for healing from a dysfunctional family, and for finding a queer found family (... it's the umbrella academy. that's the part of the allegory that's still unfulfilled. everyone in this story is queercoded, not just klaus and vanya/viktor. the show massively dropped the ball in not exploring this deeper.) and the fandom screamed, whined and harassed their way into having it scribbled out of the story, and the writers were cowardly enough to do it for you. if you're wondering why they kept trying to sneak alluther in through the back in season 2, still had a harcest couple get married in season 3, and pivoted to shipping lila so hard, that's why. it's the most important thing about the story, and you hated it. is it any shock that the story ends with all their relationships stunted, and no love between them.

remember all those themes from season 1? remember how you guys hated them? remember how you concluded that luther is an irredeemable monster, and klaus is an innocent little baby, and vanya is somehow both and neither? remember how you were completely uninterested in watching everyone redeem themselves, and wanted to skip to the Fun Sibling Moments? remember how you immediately dismissed half the characters as lost causes, and directly demanded that the writers not let the characters love each other? congrats, the writers were listening!

the umbrella academy comic is meant for adults. the show was made for a wider audience and the writers were totally unprepared for the fandom of antifan teens they got. and they overhauled the show to make it what that fandom wanted. more fun, less substance. making luther a bumbling idiot and sidestepping his entire arc. making diego a himbo. skipping allison's complexities until it's time to demonize her for them. making klaus into the cartoon version of himself. making vanya into diet elliot page and handing all her storylines to a new character. dismantling the show's core tone to make it a fanservice carnival. creating vissy, allmond and dielila in the first place, and coining the ship names before the fandom even chose them. making alluther toxic all along, and swapping her out with a white-passing replacement. it was all for you.

then when they ended the show, they flipped off the fandom on the way out. of course it was going to end like that. you spent five years playing oppression olympics, making bigotry self-righteous, and declaring you didn't want a transformative ending for these characters. the writers gave the fandom the hopeless, nihilistic, meandering, substanceless, nonsensical ending it was demanding all along.

so. where do we go from here.

first of all, to ao3, for those of you who haven't moved on.

next, to the comics. assuming way ever wants to finish them, now that he's received an overwhelming message that the audience for his story hates it and prefers the bastardized versions of his characters. i get the sense he'll probably leave it unfinished. i don't blame him.

then... the umbrella academy was a massive success. it's going to get a reboot someday. in 10-15 years, we're gonna get it back. my hope is that

whoever has that responsibility has a clear vision and the talent to pull it off, the backbone to stick with it, and more loyalty to the source material. no subverting expectations for the hell of it. no kowtowing to antifandom. make a plan and stick to it and have confidence in it. hopefully, the next showrunner won't be a terrible person.

the next version of tua will be mature. so the adults who will watch will hopefully be old enough to understand what they're seeing. this truly isn't a show for kids. the fandom has proven that. let's not do it again.

that it'll be animated. the incredible visual aesthetic of the show and its edgier elements could never have been captured in live-action. and now that adult animation's starting to arrive, including on netflix, maybe in a decade or two we'll finally get the umbrella academy fully realized.

anyway. that's my piece.

[pikahlua]

Look, it's probably still not time to go really deep into it, but I did mention there are ways this ending where Tomura dies could work for me. Honestly I didn't have much of an issue with chapter 423 itself before the internet's emotional onslaught over it, but now that I'm hearing rumors the chapter was received well in Japan and a number of western fans have decided to couch all their disappointment in racism and rage at the target readership, maybe I should give some cursory thoughts just to counteract the stupid.

The Bittersweet Ending

Here's the thing. For all the game the bird app likes to talk about how MHA is happy and kid-friendly and not dark and that's bad somehow, it's kind of funny to me how little MHA actually meets expectations in that regard. If I were to divide MHA arcs into categories based on their endings, I would probably have to put the majority of them into the "makes me cry" category. Even arcs where the hero wins with ostensibly happy endings often have absolutely gut-wrenching moments, like All Might's retirement in the Kamino arc, Tsuyu's apology in the UA Dorm Contest arc, and Nighteye's death in the Overhaul arc. I don't think it's possible for me to watch the Sports Festival arc and come out of it with anything but mixed feelings of hope and haunting. Stain may have lost his battle, but his effect on society sure seems to give him the win when it comes to the war. The Paranormal Liberation War arc has a pretty rough ending where there may still be a sliver of hope, but goodness is it a small one.

Sure, some of the teariest moments are a result of happy scenes like Eri smiling for the first time at the cultural festival, but what I'm getting at is that MHA tends to go for more hopeful endings rather than happy ones. And those hopeful endings are often stained by some other tragedy, a price to pay for the hope. Just because MHA isn't full of random death doesn't mean it doesn't contain poignant loss. This was one of its early selling points in fact. MHA's most hopeful moments have always felt so real because the story acknowledges that these things should often play out messily. We've seen the mess, and now chapter 424 has given us a glimmer of hope. The question is now where the story will take us from here.

The Anticlimax

This post has come back for me in the most unexpected way, not gonna lie.

I often hear “anticlimax/anticlimactic” used as a negative criticism, especially colloquially. This criticism assumes an anticlimax is always written unintentionally. But that’s often not the case; anticlimax is actually fucking fantastic when placed in the right hands. And Kohei Horikoshi is a goddamn anticlimax connoisseur. I say he’s a connoisseur because Horikoshi has the gall, nay, the gumption–dare I say the balls to showcase the versatility of anticlimax as a storytelling technique for more than just comedy (although he does also use it for comedy a lot). He dares to use it in action scenes, horror/thriller scenes, and even fuzzy heartfelt scenes, all to the great effect of toying with our emotions. And he successfully has us feel exactly what he wants us to every time–because that’s the point. These aren’t cheap jokes; they serve a purpose! They illustrate an actual, meaningful point about whatever scenario they are used in to make the story more realistic, to combat the fridge logic “well actually” complaints endemic to fandom. Because Horikoshi is a fan himself.

When I write "realistic," I don't mean to apply this quote here to indicate that death (especially for edgy aesthetics) is realistic. I mean to indicate that imperfection is realistic. Izuku isn't a perfect hero. Tomura isn't a perfect victim, and by victim I mean "character for the hero to save." Izuku says it himself:

A perfect victim for the hero to save would yield to the hero's attempts to turn and save them. They would see the wisdom in the hero's position and 100% change sides to agree with them. Trite.

Doing this runs the risk of erasing the victim's identity that comes before. Izuku never has a perfect answer to all of Tomura's problems with the world.

Izuku is the same as All Might. He's only human.

[...]Horikoshi has no compunctions using anticlimax in big, important, non-humorous scenes (even if the anticlimax ultimately adds humor to the scene that was otherwise unexpected). This man has no fear. He ends his famously popular take on the tried and true trope of tournament arcs with one big let-down that affects not just the audience but the in-universe characters. [...] You wanna tell me Horikoshi didn’t know exactly what he was doing here? You wanna tell me Horikoshi didn’t know about the fandom war over Katsuki’s hero name? That he didn’t purposefully fucking troll the fandom with this? That this isn’t the single greatest brick joke in the history of published media for its effect both in the canon and in the meta? Fuck you, we’re building up the tension around the most wildly popular character’s hero name reveal for 248 goddamn chapters (that’s five-and-a-half years) just to make it the cringiest fucking thing you’ve ever heard in your goddamn life. His hero name must be the closest audio rendition anyone can imagine shaped like a middle finger and fucking nothing less will suffice. Congratulations, fandom: you played yourselves! You made a war no one could win! Horikoshi could have chosen Ground Zero or Kacchan as Katsuki’s hero name and risked alienating half his fandom either way, but you didn’t realize there was a third option, which of course he took: to risk alienating the entire fucking fandom.

I'm just saying, an ending like this isn't out of character for Horikoshi. In light of this trip down memory lane and Izuku's parallel with All Might in that they acknowledge they cannot save everyone, I'm interested to see what Horikoshi does with this ending whether or not Tomura survives. What sort of hope will he offer?

The extended ending arc

The only real extended ending arc we've had in MHA that might give us a glimpse at the inner workings of Horikoshi's mind is the School Cultural Festival arc. Because of that (and the many other things I've mentioned before this post), I will say there is cause to believe we will have a hopeful ending. Again, I don't know what that looks like. A lot of people seem to have a specific thing they need to have happen to save the story for them, and I cannot speak to those.

Except for Deku vs Kacchan 3, which is what I need to have happen lol. And god does it seem really fucking possible now.

[tleeaves]

Folks going "WHAT they made a show about the Fallout franchise?? I've been hearing people say Bethesda messed it up, but I haven't watched it myself, so I'm going to trust the word of other people -- some of which also haven't finished watching it" is driving me insane.

Being a hard core fan of something obviously brings with it a lot of passionate feelings when adaptations come into play. Of course, there's going to be people going "but in 8 episodes of the first ever season they made, they didn't explore Theme C or D, didn't introduce factions E and F and G, and because the source company is notorious for its scams, we and everyone else who's a TRUE fan should hate it".

The Amazon Original series Fallout follows the videogame franchise of the same name. It is a labour of love and you can tell by the attention to detail, the writing, the sets, and YES THE THEMES ARGUE WITH THE WALL. It's clearly fan service. I mean, the very characterisation of Lucy is a deadringer for someone playing a Fallout game for the first time. She embodies the innocent player whose expectations drastically change in a game that breaks your heart over and over again. Of course, she's also the vessel through which we explore a lot of themes, but I'll get to that.

There're some folks arguing that the show retcons the games, and I gotta say... for a website practically built on fandom culture, why are we so violently against the idea of someone basing an adaptation on a franchise that so easily lends itself to new and interesting interpretations? But to be frank, a lot of what AO's Fallout is not that new. We have: naive Vault dweller, sexy traumatised ghoul that people who aren't cowards will thirst over, and pathetic guy from a militaristic faction. We also have: total atomic annihilation, and literally in-world references to the games' lore and worldbuilding constantly (the way I was shaking my sister over seeing Grognark the Barbarian, Sugar Bombs, Cram, Stimpaks, and bags of RadAway was ridiculous). Oh, and the Red Rocket?? Best pal Dogmeat? I'm definitely outing myself as specifically a Fallout 4 player, but that's not the point you should be taking away from this.

The details, the references, and the new characters -- this show is practically SCREAMING "hey look, we did this for the fans, we hope you love it as much as we do". Who cares that the characters are new, they still hold the essence of ones we used to know! And they're still interesting, so goddamn bloody interesting. Their arcs mean so much to the story, and they're told in a genuinely intriguing way. This isn't just any videogame adaptation, this was gold. This sits near Netflix's Arcane: League of Legends level in videogame adaptation. Both series create new plots out of familiar worlds.

Of course, those who've done the work have already figured out AO's Fallout is not a retcon anyway. But even if it was, that shouldn't take away from the fact that this show is actually good. Not even just good, it's great.

Were some references a little shoe-horned in to the themes by the end of the show, such as with "War never changes"? Yes, I thought so. But I love how even with a new plot and characters, they're actually still exploring the same themes and staying true to the games. I've seen folks argue otherwise, but I truly disagree. The way capitalism poisons our world, represented primarily through The American Dream and the atomic age of the 45-50s that promoted the nuclear family dynamic -- it's there. If you think it's glorifying it by leaning so heavily into in the adaptation, I feel like you're not seeing it from the right angle. It's like saying Of Mice And Men by John Steinbeck glorifies the American Dream, when both this book and the Fallout franchise are criticisms of it. If you think about it, the post-apocalyptic world of Fallout is a graveyard to the American Dream. This criticism comes from the plots that are built into every Fallout story that I know of. The Vaults are literally constructed to be their own horror story just by their mere existence, what they stand for, what happens in each of them. The whole entire show is about the preservation of the wrong things leading to fucked up worlds and people. The missions of the Vaults are time and again proven to be fruitless, unethical, plain wrong. Lucy is our brainwashed character who believed in the veritable cult she lived in before she found out the truth.

So then consider the Brotherhood of Steel. I really don't think it exists in the story to glorify the military. We see just how much the Brotherhood has brainwashed people like Max (also, anything ominously named something like "the Brotherhood" should raise eyebrows). Personally, I don't like Max, but I am intrigued by his characterisation. I thought the end of his arc was rushed the way he "came good" basically, but [SPOILERS] having him embraced as a knight in the Brotherhood at the end against his will -- finally getting something he always wanted -- and him grimly accepting it from all that we can tell? Him having that destiny forced upon him now that he's swaying? After he defected? If his storyline is meant to be a tragedy, it wouldn't surprise me, because Fallout is rife with tragedies anyway. And a tragedy would also be a criticism of the military. That's what Max's entire arc is. It goes from the microcosm focusing on the cycle of bullying between soldiers to the macro-environment where Max is being forced to continue a cycle of violence against humanity he doesn't want to anymore because a world driven to extremes forces him to choose it to survive (not to mention what a cult and no family would do to his psyche). Let's not forget what the Brotherhood's rules are: humankind is supreme. Mutants, ghouls, synths, and robots are abominations to be hated and destroyed. If you can't draw the parallels to the real world, you need to retake history and literature classes. The Brotherhood is also about preserving the wrong things, like the Vaults (like the Enclave, really). They just came about through different method. The Enclave is capitalism and twisted greed in a world where money barely exists anymore. The Brotherhood is, well, fascism plain and simple.

Are these the only factions in the Fallout franchise? Hell no. But if you're mad about that -- that they're the main ones explored, apart from the NCR -- I think you're missing the point. These themes, these reminders, are highly relevant in the current climate. In fact, I almost think they always will be relevant unless we undergo drastic change. On the surface-level, Fallout seems like the American ideal complete with guns blazing that guys in their basements jerk off to. Under that surface, is a mind-fuck story about almost the entire opposite: it's a deconstruction of American ideals that are held so closely by some, and the way that key notion of freedom gets twisted, and you're shooting a guy in-game because it's more merciful than what the world had in store for him.

I mean, the ghoul's a fucking cowboy from the wild west character he used to play in Hollywood glam and his wife was one of the people who helped blow up America in the name of capitalism and "peace". There are so many layers of this to explore, I'd need several days to try and keep track and go through it all.

The Amazon Prime show is a testament to the Fallout franchise. The message, the themes? They were not messed up or muddled or anything of the sort, in my opinion.

As for Todd Howard, that Bethesda guy, I'm sure there's perfectly valid reasons to hate him. I mean, I've hated people for a lot less valid reasons, and that's valid. We all got our feelings. But the show is about more than just him. My advice is to keep that in mind when you're judging it.

[gofancyninjaworld]

OPM Manga Update 247 Review

I was puzzled as to why the translation for this was listed as a redraw, as the previous chapters had covered the entirety of the ninja arc to date before the hiatus. Then I realised that it was the numbering foolishness messing with the translators. EH! Not my problem. Shall we go on?

Summary

The chapter opens with Suiryu being discharged from hospital. He's been given a huge bouquet by the nurses and wished a speedy return to hospital, something he understandably has no plan to do. As he makes his way down the road, his attention is attracted by screaming, which turns out to be coming from a woman about to be eaten by a monster giant anteater. He splits it in half with a single chop, noting with satisfaction that his strength has returned.

He turns back to the business at hand, that of finding the Hero Association and Saitama, and is surprised that every online search for 'hero' brings up the Neo Heroes. Things have definitely changed... but he doesn't have much time to muse on it for he is nearly flattened by the enormous head of what had been a much bigger monster giant anteater. Could Saitama be out here? No, the person who'd sent the monster's head flying was an idol. She introduced herself as Webigaza, and that she was back from her hiatus to work as a Neo Hero as well as sing. She pauses to take a deep drink of water -- she's thirsty -- and then encourages people to support the Neo Heroes before flying off.

Suiryu stares after her like a cat seeing baubles hung up on a Christmas tree. Come to that, maybe he's a little thirsty too. Maybe it wouldn't be so bad to check out the opposition first... after all, he can quit right away. Elsewhere, we see an unamused Suiko surprised that her brother has discharged himself without telling her. Her concern quickly turns to outrage when she reads the note he's left for her and realises that he's stuck her with the bill.

He's just the nicest guy, isn't he?

Suiryu arrives at the Neo Hero tower and is quickly ushered into the testing facilities. With difficulty, he gets squeezed into a power suit, all while muttering to himself about how uncool it'd make him if he approached that girl looking like that.

Once on though, he feels the enormous surge of power it brings. Excited, he flexes, and the suit crumbles like a badly-baked biscuit. Worse, he now need to pay for it. Five million, which is more than the three million he earned in the Superfight.

If you break it, you've bought it. Love the detail of Suiryu flexing hard enough to break his remaining armband.

The chapter closes with a weeping Suiryu being introduced to Metal Bat. He's stuck in Neo Heroes until he can earn enough to pay off his debts.

Oh yeah, one final detail. Has McCoy handed in his notice before he started moonlighting for the Neo Heroes? He better have, the rat!

Phew, thank goodness this wasn't longer! Shall we do some meta?

Meta

We're a week on, so the outraged whines of fans expecting a showdown between Blast and Void have died down. It's totally par for the course. All I will say is this:

If you were around when this chapter (chapter 67) was first posted, you'll know that it was well over a year (in chapter 77) that we got to find out what happened.

Yup, ONE reserves the right to go 'Meanwhile...' and go somewhere else, sometimes for extended periods of time. Deal with it.

Saturation Bombing

Well, now we're back to the Neo Hero storyline, and man, when they launched, they launched HARD. They've sopped up all the SEO real estate to crowd the Hero Association off the first page of the search engines. Their TV and billboard ads are everywhere. They've even bought up the storefronts around around their headquarters. And all in the space of days. The wallets bankrolling this venture must be abyssally deep (I will return to this in a sec).

A leopard doesn't change his spots

I won't lie: Suiryu is the character I've had the most trouble seeing the point of. I've tried, but I'm still of the opinion that this lazy, feckless, superficially charming, and not-at-all-nice guy gets given way too much real estate. Well, he may be serious about wanting to be a hero but he's still as feckless as he ever was. Yes, he won a considerable sum of money just before being hospitalised and so had no chance to spend it. Yet, true to his nature, he fucks off and sticks his sister with the bill. And true to his nature, he decides to take a pass at an idol (someone who will have hell to pay if she's even thought to be dating), fully intending to cut and run as soon as he gets what he's chasing after. Well, the wheels were always going to come off sooner or later. Might as well be now. Good.

Chef's Kiss

I know that many people were a bit disturbed to find how... normal Webigaza looks but I think it's FANTASTIC. Why? Well, a slightly creepy idol isn't everyone's cup of tea, but they'd be someone's shot of whiskey, unusual and thus not interchangeable. It's a recognisable brand she'd have been able to build on. That worked *against* Webigaza's stated desperation to stand out and gain lasting fame.

Anyone into the 'creepy doll' look really, really is into it, and won't be substituting them for another.

By making her an absolutely normal-looking idol, loveable but totally replaceable, Murata has understood the brief. I can 100% believe that this Webi is desperate to be different in some lasting way when she looks exactly the same as a dozen other idols. I can 100% believe her when she's obsessed with Sweet Mask and wants what he has when she knows that the crowd that cheers for her today will cheer just as enthusiastically next year for someone who looks and sounds almost exactly like her. That she'll be forgotten despite having poured her entire life into entertaining. And that she'd rather die than see it happen.

Because she looks generic, it makes sense that she's painfully aware of how replaceable she is.

This works. This really, really works.

Let's talk cash, pt. 1: suits of contention

As many sharp-eyed readers have noticed, that suit that Suiryu got given looks awfully familiar. It's a dead ringer for the ones that Tongara's team got given by Narinki.

And once those suits hulked out...

... they looked an awful lot like the ones Hammerhead's crew got their hands on.

No prizes for guessing that this Neo Hero thing is most probably a front for one of the most successful conspiracies in fiction, The Organization. Successful because they're able to work to achieve their aims without anyone blabbing prematurely.

Let's talk cash, pt. 2: debtor's jail

It probably shouldn't surprise us too much that Suiryu is in such good shape after leaving hospital. After all, it wasn't just any hospital he went to but a Hero Hospital, a place where exceptional effort is expended in healing people rapidly. Also a very costly place, as McCoy pointed out to Mad Devil Yankee.

The drop of realism that sells the fantasy harder: yes, there's medicine and technology to heal up incredible injuries and illnesses super fast. But the price is steep!

Oh yeah, the apparent throwaway is becoming quite relevant now. I wonder if someone will point out to Suiko that joining the Hero Association would be a quick way to discharge her brother's medical debt?

I wouldn't mind this brewing Neo Hero saga to stick around a little longer. But I'm easy -- I've long since stopped expecting a particular thing to happen at a given time. All will be well in the end.

[fishgirl514]

sonic prime s3 rewrite:

im going to try to fix a bunch of things i was unsatisfied with from the end of the story.

such as the whole “work together” lesson that sonic learned somewhere in the last 6 episodes really vaguely. also im going to fix sonic and shadow’s vague friendship arc. i might also take a crack at fixing knuckles the dread’s conclusion bc he was the most interesting variant lets be honest and he was nearly forgotten. maybe in another post. this is future me talking i spent hours writing this.

im also going to make the “we’re back home” ending WAY longer and actually have there be an emotional resolution for the #notgay “brothers”

and the most egregious sin (imo) of season 3 was the fact that all the worlds just. stayed. and that was it. huh????????

THIS WILL BE LONG AND MIGHT BE ASS IN YOUR OPINION LOL ITS CHILL. IM NOT A SEASONED DAY 1 FAN WHOSE READ EVERY COMIC AND PLAYED EVERY GAME AND KNOWS THESE CHARACTERS BETTER THAN THE WRITERS OR ANYTHING IM JUST HAVING FUN AND SHARING WHAT I THINK WOULD HAVE MADE MORE SENSE

THE SHARDS:

ok first, we have to go back in time a little bit. i think each shard should have been the heart of its respective world instead of just the random place it happened to be sitting in. the shards create the world around them, and whoever holds the shard of a world basically controls reality for that world. the shards are always originally centered on the palm tree of their world (the chaos council found their tree and stole the shard, this is why the tree is so important to the resistance, they need to return it to restore balance. NO ONE IS MEANT TO WEILD THE SHARDS, IT ONLY BRINGS CHAOS. THIS IS A CENTRAL THEME.) when a shard is removed from its world, the world begins to slowly collapse on itself. the more shards are taken the more the WHOLE shatterverse starts to become unstable. THIS is why the shatterverse begins to decay, not just because there was “too many portals” or whatever.

THE MOST IMPORTANT PART: when the paradox prism is fully recreated and brought back to its place in ghost hill, green hill will be restored and the shatterverse will cease to exist. it was created by the shards being split, bringing them back together brings the world back together into one.

sonic does not realize this at first. he finds out the shards are in different worlds and starts trying to find them all to put them back together, saying he needs to recreate his world, not thinking about the logical consequence for the shatter spaces. nine hears this and thinks he could create his OWN world wherever he wants using the power of the prism. he is wrong. (find out why later)

SHADOW:

for the most part, shadow is in the right about everything. his only issue is that like sonic, he doesn’t want to work together. sonic is too impulsive, but shadow is too stubborn. they learn to overcome this together throughout the series. while shadow is stuck speaking to sonic from the void, they are constantly disagreeing on what to do. shadow is being too bossy and demanding that his plans be followed to the letter, and sonic is making split second changes and forgetting to tell him. this at some point nearly ends in a MASSIVE disaster and they both realize they need to get it together. wasting time fighting is part of what caused this mess in the first place- shadow is also slightly at fault here. we do a flashback to the day of the incident and they agree to try to cooperate. it’s a little rocky, but by the end they’re fighting side by side in perfect sync, recognizing each other as valued friends.

NINE:

nine for most of the series can stay the same. an important plot point for me is his insistence that he is NOT tails. however, instead of this being something sonic has to learn is true, it’s something nine has to learn is false. when nine goes to ghost hill and sees the old tails, he’s unnerved by this hollow shell of a version of himself. while he is alone putting the shards back together on the mountain, he realizes that just like the shards are unstable fragments of the paradox prism, the shatter spaces are unstable fragments of green hill. he is a fragment of tails. this sets off a minor identity crisis on top of the realization that he is not supposed to exist. none of the shatter spaces are supposed to exist. that’s why they’re all so out of wack. no place is flooded and ruled by pirates, the boscage maze is a suffocating jungle, new yoke is a dystopian nightmare, and the grim is a lifeless wasteland. they all exist in a fragile state of balance and are already falling apart. they were already on shaky ground but have been on a direct path to destruction since sonic showed up. he still has hope in his ability to make the grim into his own world, but deep down he’s refusing to let himself realize the truth: even with the power of all 5 prism shards the world will continue to decay until they are reunited. nine takes the shards and leaves.

SONIC:

dear god. sonic. where do i even begin.

first of all, i would prefer to see him being a little less chatty and scatterbrained. i think a little of it would still make sense considering the story he’s living through, but in general he needs to be a little more tethered to his old unshakable self until it comes to the really important decisive moments. sonic isn’t an emotionless character, but he just seemed extra…. smushy..? idk this isn’t something i can articulate well ehe XP

i LOVED the parallels and flashbacks from seasons 1 and 2. where did they go??? i go crazy for a good parallel, so i say they keep happening in season 3. obviously. like of all the times to mirror the beginning, it’s the final fight???

i want to have the final battle directly and clearly parallel the fight from episode 1. this way, there can be a Moment where sonic stops to look back at his experiences and make the choice to do things the right way this time. to fix the problem he created he needs to fix his personal problem that created the problem. i want a very obvious scene where he finally finished connecting all the dots lets this lesson sink into his head.

speaking of which, let’s get back to present time and talk about the final fight.

FINAL BATTLE:

nine has all 5 shards kept far apart and protected, but still close enough for him to draw on their power. the world is decaying rapidly and he has to constantly use the shards to ward off the imminent destruction.

sidenote: at some point when nine is trying to pick off sonic, he sends the birds to search the empty space in the shatterverse. one finds shadow’s chaos emerald in the void and brings it out. shadow gets it back from the bird or whatever later. it was so weird that the void stopped being relevant and they just never got the green emerald back.

heading into the final fight, sonic is sad about nine’s betrayal, but he only gives him one chance to give up. when he and shadow confront nine, sonic tells him that the shatterverse is falling apart and no one has a home left to return to anymore. nine hesitates for a moment, he knows there is a chance that even with his enemies gone he won’t be able to stop the decay, but he refuses to give up. sonic knows what is at stake here and he takes it seriously. he doesn’t want to fight nine but he has no choice, besides, nine is hurting his friends, and that’s not acceptable.

sonic still isn’t sure what to do about the moral dilemma of wiping out the shatterverse to bring back his world. after all, wouldn’t that make him no better than nine? but right now there is an immediate threat: nine accelerating the decay of the universe by holding all the shards in one shatter space.

during the final fight (which i would also make WAYYYYY shorter) i would have him try to go for nine himself, thinking that he knows nine best, and is the most well equipped to defeat him. everyone else is on shaky ground with each other as alliances between the different groups, especially with the eggmans, haven’t been solidified. because of this lack of teamwork everyone struggles to fight off the robots nine creates.

sonic stops. he’s seen this play out before, and the stakes weren’t nearly as high. he is the throughline of the whole group so HE has to bring everyone together (“theres only one hedgehog they’ll follow into battle”). He gets everyone to understand that right now they’re on the same page, so they all formulate a plan together to keep the robots away and get the shards back one by one. sonic and shadow fight nine in person while everyone else collects the shards and brings them each to sonic and shadow, who use the power of the shards to help defeat nine. but when they remove nine’s power source, the world starts decaying really fast again. nine panics, takes the shards back and starts trying to fight off the decay, but it’s too much to fight anymore. he falls to his knees in defeat, he knows his goals were always unreachable. at first he lashes out at sonic, but then he stops and just cries.

he tells sonic how he just wanted a place to call home, even though he knew it wouldn’t be possible. sonic says that maybe it’s still possible to restore the shards to their worlds and stop the decay, shadow interjects that they need to bring back green hill, but nine says there’s no point in trying to bring back the shatter spaces. they’re beyond repair, and they were never meant to be in the first place (the others hearing this are shocked and uneasy hearing this). he was wrong to try to destroy everyone’s worlds to make one just for himself, at least sonic was trying to bring back his friends. but sonic comforts him and reassures his feelings and also apologizes for asking him to stop existing. but nine says that’s actually what he needs to do now. the only option left is to restore green hill. they’ll pour all the energy stores they have left into the kraken to get sonic and shadow back to the decaying ghost hill.

sonic tries to object, asking if nine is sure he’s ok with disappearing. nine says he won’t really stop existing, he and all his friends were always with him and always will be back in green hill. nine thanks sonic for always being his friend. here is the big brother hug moment. nonetheless, they all say goodbye (for now), and shadow and sonic head out of the grim.

RESTORING GREEN HILL:

blah blah there’s some debris and maybe they *almost don’t make it* but in the end they just barely get to the gateway in time.

sidenote: instead of shadow needing to go through weird side cracks to get through the gates, he is able to because of the instability of the prism energy not keeping him out the way it did before

shadow is almost blocked at the gateway. he’s pushing through, but the world is falling apart. sonic grabs the shards from him and tosses them into ghost hill so he can pull shadow through. shadow exclaims something about the shards and sonic says he won’t leave him behind. shadow is touched <3 (they’re holding each other desperately this whole scene and when they fall through, this is me making up for cutting the princess carry im so sorry i had to).

they get to the mountain, return the shards, and a huge blast of energy knocks them back. sonic opens his eyes and cue the regular sequence from the final episode. i liked this bit, it was such a relief to see the world put back together lol. after they fight eggman, sonic brings everyone in for a big group hug like he tried to in new yoke and says he has to go find shadow.

sonic asks shadow if he still remembers everything, and he does. sonic breathes a sigh of relief and jokes that he was worried all that friendship building effort had gone to waste, shadow gives him a (very) small laugh. he tells sonic that he may have started this by being himself, but he also fixed it by being himself. sonic whizzes around him asking if that was a compliment, and shadow says it’s just good to be back home. sonic says “it wouldn’t be the same without you. it wouldn’t be the same without ME either” to which shadow rolls his eyes and tries to hide a smile. sonic uses shadow’s shoulder as an arm rest as the two look out at the sunset. sonic says they make a pretty good team when they fight WITH each other. there’s a pause before shadow responds, “yeah.”

the next day goes on like it did in the real episode except shadow is there, and when the gang remarks on sonic’s odd demeanor they also comment on his suddenly improved relationship with shadow. the show ends like it did before with sonic about to explain but interrupted by eggman. life is back to normal, happily ever after the end.

OK THATS IT!!!! i hope whatever few people had the endurance and determination to read all of this enjoyed it, ive been writing it out for hours omgggg i could never write fanfiction i would die LMAO. i had such a clear vision of what i thought this season was going to be that i figured it wouldn’t take too much effort for me to write it all out. like i said before it’s definitely not perfect and i refuse to re read this for errors for 24 hours but i hope you enjoyed ok bye :3

[svtminji]

mingyu redemption arc when🫣

𐙚 ‧ MIMI ─── mingyu's redemption arc or not!

╰ every member has their favorite person and would it be a crime to admit the guy she's gotten 𝓯𝓻𝓮𝓪𝓴𝔂 with for the last 4 years be her favorite? not to minji, but she would never admit it.

pair. mingyu x oc warnings. theres a sex scene but idk if u could classify it as a sex scene anyways i don't want -18 interacting w this post.. if u do then idk man go touch grass or something, consensual infidelity/cheating, poly stuff? idk jeonghan is ok with it, dub-con ig???, obvi height differences are mentioned, and they were roommates, mingyu's parents are minji's korean parents, forced marriage ideas, younger mingyu & older minji memories, unrequited love type shit, slow burn shit idk man mingyu will never win, jeonghan and his devilish plans, oh and jeongmi marriage mentioned word count. 1.8k tags. @smh-anon @mymartiniblue

mimi: 🐶🐈‍⬛. ─── dynamic

🎼 ─ agora hills by doja cat & one of the girls by the weeknd

minji has raised this man since she was 17 and he was 16. she was one of the members who had already completed their studies in school and she took several younger members under her wing

mingyu has always held minji in high regard and her caring nature had him gain a crush on her. mingyu never acted on his infatuation towards her but one fateful night led him to join in the fun with johnji AND jeongmi ;3

on the other hand, minji felt uncomfortable with the idea of being romantic with someone younger than her. despite the drunken words and pleas of mingyu, she gave in.

freakiness aside, their friendship is more wholesome rather than sexual. minji and mingyu are the best of friends and their dynamic doesn't falter even if people try to break it. many people and fans alike point out the cute height difference between the pair and the struggles in communication between them.

as to what jeonghan thinks about their relationship, he doesn't mind another person as long as mingyu doesn't entirely cross the line. jeonghan knows minji will always go back to him at the end of the day and he 100% trusts her to do the right thing

roommates: propaganda is real and the truth is.. mingyu doesn't clean. between the three roommates, mingyu is in charge of the kitchen, minji cleans, and wonwoo sits there and looks pretty. 

mimi: 🐶🐈‍⬛. ─── family

mingyu's parents really love and adore her. she's their second daughter and they will always support her in anything she does. they are definitely her second korean parents and she's super grateful they took her under their wing. 

they also thank her for taking care of their sweet boy while they were trainees and have dropped comments about a future marriage but minji quickly stopped it.

his sister + minji -> A MESS. women LOVE to gossip and they will gossip til it's midnight. mingyu loves to see two of his favorite women interact and it makes him super happy.

minji's parents also adore mingyu. although they have a preference for jeonghan, they still wholeheartedly appreciate every single member. her parents don't need to know what happens behind closed doors. 

⠀⠀⠀⠀⠀ ⠀⠀ ⠀⠀ 민지 ⠀𓍼⠀⠀⠀ℳ.⠀⠀⠀민규

to an experienced carat, mingyu and minji had shown countless sexual tension after minji’s initial break up with johnny. perhaps it was how he became more protective of her or how he demanded her attention whenever there was something he was proud of. or maybe.. it was how she looked at him with that glint in her eye that showed him that she wanted him. 

being roommates was the worst. he couldn’t fathom his thoughts and emotions, especially regarding the sole female member. she had seen him grow into the man he is now and the way his parents had taken her under their wing set the emotions on fire. it didn’t help that they would call minji their “daughter-in-law” or “daughter” in general. he noticed that his parents pushed the agenda of marriage onto them. though he knew minji would never marry him, or even date him, especially when her emotions were locked behind a barrier that could only be broken with the right amount of force. the only person who had managed to break it was jeonghan and mingyu knew he couldn't go behind his member's back to pursue the girl he liked.

╰  2022: the beginning of the current present 

jeonghan and minji have had many conversations about her prior relationships and what she thinks about them now. from seungcheol to her boyfriend, jeonghan knew all of her relationship histories and brought up something interesting: mingyu and his attraction to minji. he recalled how mingyu had originally felt when the '95 pair began dating and suggested something minji would never believe come of his mouth. 

"you mean a polyamorous relationship? so you're okay with me practically 'dating' mingyu?" minji responded to the statement jeonghan made with a focus on the dating part. 

jeonghan shook his head and continued, "it's not dating or a polywhatever relationship but if you feel something and i'm not there, you're allowed to go with the people i choose." he could see how she thought about many possible conclusions. but she failed to even consider it.

"i don't know if i would even be able to do that to you, consensually or not. it just feels like i would be mentally breaking your trust and i don't want to even think about losing you." 

jeonghan sighed and opened his arms for a hug, which she gladly took. he rubbed her back and reassured her that he felt completely sure about it. "if it makes you feel better, i'll be there with you, and him i guess, and see what i feel about it."

"would you really do that for me? even if it causes you pain?"

"sweetheart, nothing you do would ever make me feel pain. don't worry about it, my sweet mizuji."

⠀⠀⠀⠀⠀ ⠀⠀ ⠀⠀ 민지 ⠀𓍼⠀⠀⠀ℳ.⠀⠀⠀민규

when the day came, minji was shitting bricks. she invited jeonghan to her shared dorm and both of them sat down on her bed and stayed quiet. within their almost two years of dating, jeonghan had never felt this nervous but he still persisted. as he was going to open his mouth, minji's door was opened and the man that lingered in their thoughts was the perpetrator. mingyu saw the look on their faces and knew something was wrong. closing the door, he made his way to sit down on the empty chair at minji's desk.

"so.. why has everything gone quiet? i haven't seen you guys this quiet since forever." mingyu questioned him as he had his signature pouty face. jeonghan cleared his throat and let out a sigh. it was now or never.

"well, i'm not sure how to begin to tell you this. minji and i," hearing her name being involved his ideas, minji slapped his arm, "ow... okay okay. i have been thinking about something serious and after a long time of talking it out, how would you feel about spending time with minji... romantically?"

mingyu couldn't believe what he heard. him.. being romantically involved with minji? was he dreaming? no, he couldn't be... minji never looked this good in his dreams but still, he couldn't tell if jeonghan was serious or not.

"are you serious?"

"why wouldn't i be?"

"and is she okay with it?"

"i'm literally right here. but if you want to know so bad, then yes, i am okay with it." minji spoke after keeping her peace. "hannie caught me off guard with the idea as well, but he reassured me that he was one-hundred percent sure that he felt comfortable with the idea."

the trio spent a few more minutes talking about consent, other barriers, and limits mingyu had because it was still jeongmi's relationship at the end of the day. let's just say jeonghan started getting a little freaky and minji had to convince mingyu to join them. he joined.

⠀⠀⠀⠀⠀ ⠀⠀ ⠀⠀ 민지 ⠀𓍼⠀⠀⠀ℳ.⠀⠀⠀민규

these :3-somes happened pretty often as it allowed the trio to let out their stress after a busy day of schedules or just for fun ^0^. though moving on more towards jeonghan and minji's engagement, jeonghan had decided to cut it down more since their future marriage would put a stop to it (for a while), and because jeonghan wanted a family.

jeongmimi aside, mingyu and minji have had a massive messy relationship from 2018 to the present; yet it never faltered and managed to maintain its strength even after all those years. 

╰  mingyu's birthday / ideas :3

everyone ages and it lets us reflect on what we have accomplished since when we were born. for mingyu, it was many things and perhaps this birthday surprise was the best one he had in a while. resting on the bedframe behind him, he kept his gaze on minji who was sitting on his lap, smiling at him. her small frame against his larger frame had him getting harder each second, and for sure, minji had felt it. a slight whimper came out of his mouth every time she slightly moved on his lap. her pink nightgown had a bow that would expose everything in one tug of a string, and mingyu knew she was dolled up just for him (not really but let him be delusional). men have huge egos and minji wasn't afraid of feeding into it sometimes. 

mingyu knew that she would let him do anything to her and he flipped her over so he would be on top. although he preferred to be on the bottom and watch her get off from him, he wanted to see his pillow princess fall apart because of him. when it comes to mingyu and his small habits during sex, he bites and leaves bruises on the areas that would be easy to hide from the public eye; although he had forgotten one day and minji had a poor look of shame when getting her marks covered up by her makeup artist.

he always mutters praises to her, telling minji how gorgeous, perfect, and precious she is for taking him all the way. did i mention he likes to take photos? i didn’t.. anyways this guy definitely had intimate photos/polaroids of their sexual encounters and probably a sex tape or two. though sometimes he gets too lost in his own pleasure that all he can hear is the pap pap pap coming from their bodies and minji's own choked sob that comes out everytime along with her small whimpers. whenever mingyu feels the familiar pressure coming, minji allows him to come inside her, and it's no surprise the man practically empties his balls inside of her.

nevertheless, when it comes to aftercare, this man is on it. from making sure she pees after and cleaning his mess to getting her a new change of clothes and blankets, he's the perfect man for it idc argue with the wall. mingyu enjoys the domestic feeling of minji between his arms and cuddling her; yet as soon as she gets up, he knows he will never actually feel the same feeling coming from her. he lays on the bed as he watches minji get dressed to go run errands and the sight of it makes him blink away a tear. 

minji hates seeing her members cry, especially if its because of her. wiping his tears away, she kisses him goodbye and tells him she'll see him later. he knows she doesn't have the heart to lie to him and at the of the day, they're close friends and band members with a complicated history. he knows he will never have the relationship he wants with minji, but being her close friend makes up for it. 

mingyu and minji have called it quits since november 2023 as minji and jeonghan are preparing for their wedding. although they have ended things on a good note, minji can finally admit that mingyu is her favorite, after her boyfriend. don’t worry, both of them saw the photos burned along with the tapes.

⠀⠀⠀⠀⠀ ⠀⠀ ⠀⠀ 민지 ⠀𓍼⠀⠀⠀ℳ.⠀⠀⠀민규

can u tell i dont know how to write 𝓯𝓻𝓮𝓪𝓴𝔂 scenes... LMAO. this was everywhere my fault and yes, she is on birth control 🙄 she learned her lesson a 6 years ago

[mirpuzzle]

I've been really curious about this, who are your top ten Yu-Gi-Oh characters?

Hello! 🌷 Usually, I only have a few favorites. So, aside from the first three, the rest is constantly changing. I'll try to put them in order (all under the cut).

♡. 10 ── Carly Nagisa (5Ds)

What's not to love about her? She's funny, pretty, and a complete mess of a person. She gets in all sorts of trouble, all because she's trying to make a living. I like it when she gets screen time.

♡. 9 ── Noa Kaiba (DM)

He was my favorite as a kid, so I still have a special place in my heart for him. His story made me cry. He did not deserve that. He only wanted others to understand him. You're valid, Noa.

♡. 8 ── Yusei Fudo (5Ds)

It's rare for me to favor a protagonist. That's how you know he's good. This man is a blessing to Yugioh. He has a natural charisma that's impossible to ignore. He's perfect.

♡. 7 ── Bandit Keith (DM)

...I think. I have mixed feelings toward him. I don't even know why he's on this list. I keep going to him in games where Kotsuzuka is not there. So, that must mean I like him, right? I'm confused.

Cross Duel showed me he can be really nice to you if you help him win. I appreciate how he helps other duelists fortify their decks, using the themes they originally had instead of giving them a completely new deck. He cares.

While there's no excuse for what he did to Kotsuzuka and the boys, the fact that, behind that 'bad guy' front, there's a sad, broken man makes me feel bad for him. He deserves to heal.

♡. 6 ── Ryou Bakura (DM)

The anime doesn't do him justice. The more I learn about him through other fans and Duel Links, the more I like him. He's a precious cream puff who likes spooky stuff and is treated terribly by almost everyone. He deserves better (friends).

♡. 5 ── Divine (5Ds)

This man is terrible in every way, and that's the point. I hate that his character was designed to be hated. He gets no backstory, no redemption arc, no nothing. He's just there to be blamed for every bad thing that's ever happened. I pity him. He's the worst. I love this guy.

♡. 4 ── Thief King Bakura (DM)

PLEASE give this guy a break. He has gone through enough. The way he pulled himself back up after all that tragedy is impressive. Imagine how one skillful Thief became a Pharaoh's major threat. A Thief who brings up important moral questions that society seems to ignore (deliberately). He deserves to be heard.

♡. 3 ── Kiyoshi Takaido & Satake (DM)

They share third place because I can't have one without the other. I automatically started loving them because they're close friends with Kotsuzuka. I like that they care about him. These guys have so much potential to explore, and it's a shame we see so little of them.

They're not 'Keith's lackeys'. They're duelists in their own right. They have ambitions and aspirations. They just didn't get to be in the spotlight.

♡. 2 ── Yami Bakura (DM)

Sometimes switches places with Takaido and Satake but usually stays in second place. He's wickedly perfect. From his gorgeous design to how he pretends everything is part of his plan, even though he's literally dissipating into nothingness. He has the nerve to make empty threats that he never carries out. And I love him for that. No one can deny that he looks cool when he shows how evil™️ he is.

There's something beautiful about this ancient evil spirit dedicating his existence to fulfill his objective - all while showing us that he can enjoy normal human activities, like playing games. The complexity of his character captivates me. You can study him for hours, and it will still take you a while to figure him out due to his confusing lore. I like reading what other fans have to say about him.

The way he makes others suffer causes me to have mixed feelings. Sure, I love angst. I just wish there were some feelings involved.

Seeing him make enemies with almost everyone he crosses paths with makes me think he wants to keep everyone away, and that's sad. I want him to care about someone other than himself. I want someone to care about him.

♡. 1 ── Ghost Kotsuzuka (DM)

Yes, that one guy who's known for using Zombie-Type monsters. That short, spooky 15-year-old who walks around hunched over pretending to be a ghost, not realizing he's too cute to be scary. That naive boy who trusted the wrong person and then was unlucky enough to cross paths with the main antagonist. He's my favorite.

I love him. The way his eyes light up when he talks about the things he likes is adorable. I could listen to him gush about ghosts for hours.

His character tends to be frustratingly misinterpreted and overlooked. It's sad that some people think of him as nothing more than collateral damage to Yami Bakura's 'mischief'. He deserves better than that.

When you see past his 'side antagonist' role, you realize he's a precious little guy who's trying his best. Behind that ghostly, mischievous smile, there's a lost youth looking for guidance from a 'big bro' figure he can look up to, whether he realizes this or not.

Despite the differences in his characterization between the manga, anime, and games, one thing remains consistent. He grows into someone who wants to prove he can duel by himself.

But what does he get? Nothing but pain. Betrayed, deceived, ending up dead or lost in the darkness, condemned in almost every canon, with only his sentient Duel Links data to remember him by.

He only wanted to duel.

---------------------ꕥ

I'll stop here. Otherwise, I'll be talking about Kotsuzuka for hours. Thank you so much for the ask! ♡ Sorry that it took a while. I was struggling to organize what I wanted to say for some of the characters, and I wanted to add some art :3

Keep in mind that I've only seen Duel Monsters and the first half of 5Ds, so there are many characters I don't know yet.

[queenvhagar]

asking you specifically because it's been on my mind and i trust your opinions!!!: someone who interacted with one of my posts said that it's their belief that condal & co. are planning on doing grand reveal rhaenyra as a mad queen who gets rightfully deposed at the end of the series and we as the viewers just have to be patient and extend a little more faith. and it got me to thinking, because i enjoy questioning my saltiness every so often... do you think that kind of an ending (hypothetical as it is) would be worth it? is it a far fetched hope to have? would it make up for what what they've done to the narrative (and to rhaenyra and the greens) so far? does that kind of a twist require better writing from the outset and is it too late for them to convincingly attempt it? i have my own ideas but i would love to hear yours!!

The show seems to be at odds with itself already on this. Simultaneously it's pushing a few different but contradictory messages: women are peaceful and reasonable, while men are the violent ones who want war; Rhaenyra and the Blacks are the superior choice in this conflict based on the alternatives; Rhaenyra and Alicent have no real agency or choice except when they absolutely are responsible for their own decisions; Alicent is wrong for not supporting Rhaenyra over her sons; Rhaenyra actually and uncritically does indeed have divine right to the throne (white stag, prophecy, Viserys' words); Rhaenyra is actually maybe instead of that just so delusional and high on her own superiority complex that causing a massacre makes her feel divinely ordained.

The lack of consistency with this season and the contradictions within its own writing, along with significant, lore breaking deviations from the source material, is what is plaguing this season the most. Despite the look of wrath in 1x10, Rhaenyra has been stuck in a 1x9 space for 6/8 of the season. She regressed as a character. She does stupid things and bemoans that nobody respects her for it while not actually taking any action to earn respect. Her relationship with the prophecy and religion have gone largely unexplored until this point. The show frames all of her actions as being the morally superior choice at all times until maybe this last episode. It is devastating to the character and the season that it took 7 out of 8 episodes for her character to start being meaningfully explored, and after next week it will be years until we see the next part of her story.

For me, it is too little too late. With all the contradictions I mentioned above, their execution of any arc for her character will doubtlessly appear confused. Even if they lean into the delusional religious fanatic and later paranoid mad queen arc, they have so firmly established those other aspects of her character that it will be hard to show her shift from point A to point B over the next two seasons (and if they are as short as this one, that means likely less than 16 episodes to do the rest of her story in a convincing and meaningful way).

However their presentation of her as the new Daenerys that should have been is going to bite them in the ass if they truly attempt this arc for her. Her hardcore fans will cry misogyny like the writers themselves have cried. Her critics will be looking for a cohesive story to be told that will likely fail due to the lore and story breaking changes that have already been implemented into the show. Casual fans will think HOTD is just trying to capture the GOT hype by just redoing the Dany arc of the late seasons and make comparisons between the two.

Overall the story is a mess. I'm not sure a future mad queen arc could sufficiently redeem this adaptation given the appalling other changes made to characterization, removal of essential characters, defiance of in-universe timelines and logic, and inconsistencies. If somehow there was a new showrunner, new writing team, and GRRM stepped back in to salvage, maybe it could end decently... but it looks like after Sapochnik left the writing team will stay the same, and GRRM wants no involvement going forward with them, nor does he plan on taking part in discussions for future seasons. Basically, it's so over. And there's little hope for any other ASOIAF adaptations. They'll essentially aim for a new MCU style money maker, and that's what they'll get. Mediocrity and all.

[jahtrashh]

I saw your take on Zuko and like I agree so much. this fandom either idolises him or hates him and I always found that sooo weird. same goes with characters like Jet who are somehow treated like perfectly functioning adults by the fandom and held accountable of their actions as if they were grown men. and that’s so freaking weird. the point of Zuko’s redemption arc is that his arc isn’t linear, he makes mistakes, learns from it, makes up for it. as for Jet, although not a big fan of the way the writers handled his death, he’s literally being seen as an unredeemable monster, as if worse that characters like OZAI OR ZHAO by many fans and… just… how ?? why ?? they are both 16 ?? like yeah, they did so much bad stuff, they did really messed up stuff but they are also quite literally products of their environment and a freaking 100 years war. how is Zuko, fed with propaganda, on a ship since he’s 13, with a freaking general as his only paternal figure at that time, surrounded by men twice his age who are also either soldiers or at least army related, and still 16 at the time, suppose to be a “nice guy” archetype that does nothing wrong. like please be for real one second. and don’t get me started on Jet. whole village burned to the ground, orphan, had to raise so many kids, probably grew up in extreme poverty. ofc he’s messed up. ofc he’s violent, blinded by rage. but again, 16 !!! HE’S 16 !! it kills how people don’t realise that teenagers (especially teenage boys) are anything but mature, collected and emotionally rational. like bfr.

but in the atla fandom ig saying this would make me a zuko/jet apologist. whatever that means. as an adult i just see a bunch of messed up kids in the middle of the war, and that’s basically it. at best i feel bad for them, at worst i pity them.

Say it louder for the people in the back. I don’t know how to dumb it down enough for people to wrap their damn head around how these are in fact, also, teenagers involved in war. The world is in shambles during war, right and wrong are easily blurred during those times, and it takes a very special person to be able to differentiate between the sides without getting too caught up in what they believe is right or wrong.

Zuko could’ve stayed a racist, imperialist, dipshit. But by the end of the show, he turns into just a simple dipshit who accepted his life changing 180 with open arms. Yes he said some insensitive shit to aang about his beliefs and mocked his anti-violent views even when he joined them in season 3, but AGAIN, not only was he still learning how to be a decent human being, he was also blinded by his own hatred of his father, mixed with the very much pro-violent nature of the fire nation, PLUS the lack of education on Aang’s culture and philosophy which was AGAIN, taught around PRO-PA-GAN-DA the FN created. All of which, takes time to unlearn. On top of figuring himself and who he was, which is what most teenagers, more often than not will have a whole crisis about ALONE. I honestly don’t know how people expect a redemption arc to go, we’ve all had to learn how to be better about things, and the progress isn’t going to be liner nor will it always be easy. That is human nature. That is LIFE.

And on Jet’s case, why do people think it’s such a terrible thing to make some characters who were victims of war crimes, to be angry, to lust for revenge against the perpetrators, or be irrational and violent. THEY HAVE EVERY RIGHT TO. The FN took the last bit of Jet’s life that he barely even had and stripped all of that completely away from him like the savages that they are. Why is it a terrible thing to be angry at people who didn’t think twice about the families, the sense of community that his village had? I agree that Jet was going too far when he was trying to take it out on innocent people, but can you really blame him? He didn’t have an adult to help him out on the importance of emotional maturity and how to be angry at the ones who actually harmed you like Zuko did, and even if he did, teenagers won’t be emotionally matured TRULY until they develop into adults. He had to be the mock adult for the kids younger than him, he didn’t have time to decode himself and better his actions because he was too focused on protecting the freedom fighters and himself against the FN’s abuses.

People don’t realize that this is not babying them, or being so called “apologists” this is called understanding why these two are the way that they are. Why are they like this? And it’s so much to take in and talk about at once that you’d need an entire college level essay to completely break down and comprehend how deep war can affect not just adults, but teenagers and children. Those two groups don’t have true moral compasses, so the environment and circumstances can really impact and easily mold their minds to fit the standards in said situation in order to survive it. This is called self-preservation. A more than common trauma response.

I mean seriously, I heard someone say they can understand Zuko hate but not Iroh hate, when he has in fact, done much worse than Zuko has ever done in those 3 years at sea. I love Iroh, but he’s an adult, why are we choosing adults over traumatized and war-fed teenagers who mainly comply in that shit to seek approval from their actually psychotic, genocidal, narcissistic, and abusive father that would dispose of them if they didn’t fit his standards? Why are we quicker to blame the teenagedvictim of the FN’s attacks and cruelty, than the actual people, adults, who conducted the attacks?

Are we truly regressing as a fandom? The show wouldn’t give them their traumatic experiences and talk about their abusers if they wanted the viewer to antagonize the victims. Goes to show that the loudest voices screaming “irredeemable monster” and “they want people to feel sorry for him” never truly know who these characters are and how they operate, they need everything spoon fed to them which is very unfortunate. The real irredeemable monsters are right there in their face and they choose to look somewhere else.

It’s so obvious how people in this fandom pick and choose who to feel sympathy for, when they all needed it.

[steddieunderdogfics]

This week’s writer spotlight feature is:  Cchapsticck! @cchapsticck has 9 fics posted to AO3 in the Stranger Things fandom and all of them are in the Steddie tag!

@dreamwatch recommends the following works by @cchapsticck

UNTITLED RECORDING rcd ca. 1987-1988

ANACRUSIS ca. 1987

RED ATMOSPHERES rcd. 1995

THE UNENDING HOWL EP rcd. 1999

wait, runner

"cchapsticck's Eddie is one of my all time favourites. It's one of the most complex depictions of Eddie I’ve every read; every work is a beautiful character study. Eddie’s history and trauma are laid bare; it feels real, and it hurts. cchapsticck’s writing is just insanely good, lines hit like massive gut punches. I love the METALHEAD series so, so much, and if you're a fan of 'musician Eddie' fics then it's a must read. Every fic is incredible, hit after hit. Writing this good deserves to be celebrated." -- @dreamwatch

Below the cut, @cchapsticck answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

I’ll be honest, it's probably exclusively because of Eddie. I’ve been a fan of Stranger Things since its original release but wasn’t really participating in the fandom side of things until season 4. As a Dungeons and Dragons nerd with an abrasive taste in music myself, of course there was the kindred spirit-ness of Eddie’s introduction to the series, but more than that he made the normal midwestern town of Hawkins feel more a character than a setting to me than it had been previously, and that really amplified my interest in his character and the space he takes up in the narrative environment that were only just then learning about. There were so many implications about him and about Hawkins that were just left on the table that I couldn’t get enough of. Prior to season 4 Steve had been my favorite character, I’d always been invested in his little redemption roadtrip and his “otherness” stumbling blocks over the seasons. How he’s cultivated this arc of rallying against an archetype that’s comfortable but worse for him in the long term - and I found myself really excited by Eddie’s sort-of inversion of that same journey as Steve’s. Both of them still sort of stuck in their ways assigning social value based on arbitrary factors and are comfortable in the more judgmental impulses they have when they first really meet, but they’re coming from opposite perspectives on the nerd/jock hierarchy and the self imposed tensions between them there and what it might take beyond the actual end of the world to overcome those things. I love a mess.

What’s your favorite trope to READ?

I wouldn’t say that I’m a reader who specifically seeks out any one particular trope over another in the strictest sense, I have the capacity to be just as invested as an enemies to lovers as I am a childhood friends to lovers, kind of thing. But generally speaking I love a character study - I genuinely enjoy works that have the creators really deeply held headcanons and making a whole world with and around it, I love some angst - I’ll never say no to a little melodrama. I really enjoy work with a really strong point of view, and I like to be sad.

What’s your favorite trope to WRITE?

I love an unreliable narrator, I love a flawed perspective, I love a narrator who lies to themselves (and you, dear reader) a little about what’s going on. I have a lot of fun as a writer getting into the way we talk to ourselves about the things we’re living with and the shapes we bend ourselves into to do the living.

What’s your favorite Steddie fic?

This is hard, I have read so many impactful fics I could easily fire off 5 right now but for the sake of brevity I will say this: I rotate afterlight by Kostas around in my head like a rotisserie chicken on the regular. There’s such a deeply felt and embodied sense of Eddie’s past throughout, and how it manifests in his present - as well as some genuinely charming details about Eddie’s present and his benign quirks that have only helped compile his bad reputation and how the life he had prior to getting wrapped up in the supernatural fits into the public narrative of canon events. The very nostalgic vibes of fall and what we of the American midwest get up to at that time feel so real. And it's so genuinely sweet, the getting-togtherness, while also being not-that-simple. It has so much going for it, really truly, and navigates and emotional complexity and honesty that I’m envious of as a writer.

Is there a trope you’re excited to explore in a future work but haven’t yet?

I’ve written very little about Dungeons and Dragons in all of my writing about Eddie and Stranger Things (I guess a lightweight AU not withstanding?), and that feels like such a missed opportunity for me to have a lot of fun. I’ve been playing Dungeons and Dragons since I was in high school, I have such a deep love for ttrpgs and collaborative storytelling but man, 1e of D&D is so dense and incomprehensible part of me wonders if it's actually really boring to write about to-hit statistics and spreadsheets but alas it stands as a really nerdy sirensong to me.

What is your writing process like?

It's a whole mess. It’s genuinely a wonder I get anything done. I tend to get fixated on granular character things that I want to explore and it all sort of explodes outward from there. I’m almost entirely a stream of consciousness writer, and I usually only loosely have specific beats or emotional landmarks I want to hit when I begin writing but it's a pretty amorphous sense of what I’m trying to write. I tend to write mostly chronologically while I’m in that first pass of story dumping and it’s pretty rare the structure changes dramatically after that. From there I make several editing passes to fix anything from grammatical errors to character voice. I’m pretty sure I could be in the “nit pick it to death” phase forever and have to bully myself into calling it quits in order to publish.

Do you have any writing quirks?

My perspective might be a little flawed, but I think I tend to write without an abundance of plot? I think it's a product of how I write; where there aren’t a series of events that I hope to navigate, but more a series of emotional car crashes I wish to describe? I also make playlists for everything. Sometimes a playlist is 3 hours of music, other times it’s about 4 songs I listen to on a loop while I write. Each of my published works have a pretty distinct “theme song”.

Do you prefer posting when you’ve finished writing or on a schedule?

Oh, finished writing - no question. I cannot be held to a schedule, I’m so allergic to it. I am horrifically at the mercy of my fickle creative drive. I struggle with writer’s block not infrequently and I’ve definitely put myself in situations writing on a schedule where I felt like I had to brute force my way through the block to meet a publishing goal and ultimately wasn’t happy with what I put out there because I didn’t give myself the kind of time I need to work.

Which fic are you most proud of?

I think that goes to dog at the door. It definitely was the fic that gave me the most trouble, and challenged me the most with what I wanted to accomplish and how it forced me to deviate from my normal writing process, I’ve never written suspense or horror before and I genuinely do not have an objective read on how successful that was. I have mixed feelings about the piece as a whole, but I’m proud of the work and of myself for sticking with it and getting it out there despite the way it challenged and frustrated me at times.

How did you get the idea for UNTITLED RECORDING rcd ca. 1987-1988?

I grew up in the Great Lakes area in the not too distant future of the events of the show in a semi-rural/semi-suburban town that Hawkins always reminded me of. Similarly, I spent a lot of my teenage years in go-nowhere bands and driving around the state at basement shows for other go-nowhere bands and I had been thinking about the kind of community that experience that built for me at that time, and at the time - in the fandom, I was seeing a lot of Rockstar Eddie and I was very charmed by this desire a lot of people in the fandom seemed to be having about affording him a kind of positive notoriety, for once in all of our various hypothetical futures. And that personal reflection of a period of my own life, plus what was spinning around the ecosystem of the fandom at the time sort of coalesced into this character study I wanted to do about The Midwest and Alternative Music and Finding Yourself Authentically within the boundaries of those spaces. Steddie wormed its way into the concept because one, I like it. Two, as much as it's clear that Hawkins is a burden to Eddie and his character, I think the same can be said for Steve, but again, a little in reverse. It's good to leave your hometown, even when you’re comfortable and welcome there. It felt like an appropriate experience for them to both have, together, to different ends.

When writing UNTITLED RECORDING rcd ca. 1987-1988, what was something you didn’t expect?

That there was going to be so much of it! METALHEAD, the series, was initially just the first UNTITLED segment and when I’d wrapped that up I realized there was more I wanted to do. Both with form and I just felt like I wasn’t quite done with this version of Eddie I was writing, it didn’t feel like the whole story even though I felt like I’d written the whole story. No idea if that even makes sense.

What inspired ANACRUSIS ca. 1987?

Honestly, I think I mostly just wanted to try to write Steve’s voice and perspective. I only briefly described the “getting together” moment in UNTITLED and I thought it would be kind of fun to have that exist more concretely, but I’d already established Eddie’s perspective on it by that point and to retell that moment from his perspective felt needlessly repetitive, so there really seemed like there was only one appropriate narrator. And while I was writing it I think I realized I wanted there to be some kind of indicator that despite things going well and being good in UNTITLED, they were still sort of missing each other where they were at, in that moment.

What was your favorite part to write from RED ATMOSPHERES rcd. 1995?

The periodical segments! I actually had a lot of fun looking up back issues of genre magazines from the time. I definitely lost a lot of writing hours just reading Metal Edge. I used to read Kerrang! and AP when I was a teenager and I remembered the articles in those magazines always had a certain kind of journalistic voice and I wanted to try to capture some of that from those periodicals. Ultimately I think I ended up abandoning a lot of that specific tone and erring a little more contemporary with the focus and tone because I wanted the journalistic perspective on Eddie as a sort-of public figure to serve a specific contrast to the reality of his inner life, but it was a fun research project to be sure.

How do/did you feel writing THE UNENDING HOWL EP rcd. 1999?

I think HOWL had about 3 or 4 false starts, I had all these ideas for it to be a lot of different things when I first set out to wrap up METALHEAD and I stalled out on every single one of them. The scope was really broad and I was struggling to pull out anything that felt important in what I was writing. It was really discouraging for a long time because I felt really committed to this final element of the series and I wanted this sort-of catharsis at the end of it all, fragile as it kind of ended up being, but I just could not write something that was working for me. I couldn’t say why or how, but it was actually a The Wonder Years song that made everything click into place about funerals and closure and yadda yadda yadda but up until that moment there was a lot of doubting myself and floundering to finish the series. I think my relationship with HOWL is still a little fragile, as a result of me feeling really insecure about its process, but I think ultimately I’m proud of being able to just to finish an undertaking like METALHEAD.

What was the most difficult part of writing wait, runner?

Fighting the desire to make everything okay! runner started its life as a lot of scrapped sections of UNTITLED and some cut material from my first ST fic, sunflower broke because it became clear to me I was preoccupied with certain elements of Eddie’s inner life; staying in Hawkins, being a pariah, self medication, etc. and so much of that and its place in a post-canon-Eddie-lives world is tremendously bleak. So it felt dishonest to make some kind of unambiguously and clearly happy way forward, but the self loathing and self doubt I was writing in that piece felt so oppressive I kept catching myself trying to mitigate some of that and make these characters happy and I kept having to back down from it because it wasn’t really the point of any of these writerly meditations on this character.

Do you have a favorite scene and/or line from any of your fics?

I really enjoyed writing the very low stakes banter in head line, particularly Steve and Eddie being able to talk about their respective reputations without getting too deep into it: “Well then let me fill you in: I’m bad news. Headline bad news.” “Sure, but I like you.” Sure, like he agrees. But, like it doesn’t matter.

Do you have any upcoming projects or fics you’d like to share/promote?

Not so much! I have a few fics in the works that I’m hoping I can massage into something fit for public viewing but I’m not really working on a timeline right now.

Outside of these questions, Is there anything YOU would like to add?

Oh gosh, not much. Just a thank you to who nominated me, I am genuinely touched. But also to thank the mods of this blog, this is really wonderful work you’re doing here!

Thank you to our author, @cchapsticck, and our nominator, @dreamwatch! See more of Cchapsticck's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[maul-of-shame]

I was a big fan of haladriel at the end of season 1 because Sauron as Halbrand was very charismatic to me, but his Annatar turned me off because he was too cold, too creepy, and then the Galadriel/Sauron confrontation was just underwhelming to me. There was no serious talk between them (not like the Galadriel/Elrond scene in 2x02, that was so emotional), some lines felt poor, and the fight was too long for no reason (and that's because Sauron was toying with her, the moment he'd had enough, he stabbed her).

I was not looking forward to the Elrondriel kiss (found out via leaks), but I surprisingly liked it quite a lot, and I went back to watch their scenes from season 1, and they were simply so tender... I mean, I knew, but it's now even more obvious. Also, who offered comfort/healing after Galadriel faced Sauron in 1x08 and 2x08? Elrond.

Like, at this point, I hope the Dwarf-hater Celeborn stays dead because I'm gonna have a hard time accepting the fact that he's supposed to be much better than Elrond and deserving of Galadriel's undivided attention.

The Elves will fight Sauron, Elrond will defend Imladris, Gil-galad will give him Vilya and name him vice-regent of Eriador... and Celeborn is gonna come back and eat the screen time? Like, please stay dead. 💀

Oh, I feel this so much. I get why Haladriel was intriguing in Season 1—the charisma, the mystery, the tension. Sauron-as-Halbrand really pulled off that dangerous allure; he was smooth, and the chemistry was undeniable.

Heck I WAS in that boat too! XD

[TW: Long rant and if you love Celeborn, DON'T READ LMAO]

But by Season 2? The allure absolutely crumbled. Annatar felt so hollow, so calculating—it was as if any remnants of charm had been stripped away, leaving nothing but cold manipulation. And don’t even get me started on the so-called "showdown" between Galadriel and Sauron. Watching him toy with her only to end it with a stab literally yeeted me out of that damn ship for GOOD.

Elrondriel, I shipped it for funsies but I didn't think it would be "super serious". And ehhhh boy, how WRONG I WAS.

The tenderness there was something else entirely. I went back, rewatched EVERYTHING and it just clicked. Their connection is soft, grounding, and just so real. He’s the constant. Elrond’s compassion, loyalty, and understanding genuinely make him someone Galadriel can lean on. All of their scenes were full of chemistry, of feels I feel like were desperately lacking when it comes to Haladriel.

Meanwhile, Celeborn.... I'm gonna get heated LMAO.

Celeborn who? More like Cele-gone if you ask me.

I get his fans clutching their canon pearls, quick to remind us that Elrondriel "can’t happen" because "Celeborn exists". But let’s be honest here, canon Celeborn barely existed.

He was a racist, condescending mess, and they think he deserves Galadriel's undivided love? She’s supposed to fall for the guy who openly dismisses Dwarves, disrespects their culture, and disappears for decades, conveniently missing some of the most formative years of their daughter’s life?

And sure, let’s also forget the fact that Celeborn’s been MIA during Galadriel’s whole battle with Sauron. Who’s been there every step of the way, ready to pick up the pieces, help her heal, and stay steady when she’s barely holding it together? Elrond.

The guy who would give his all to protect Imladris, who'll fight tooth and nail against Sauron, who'll step up as vice-regent of Eriador, all while showing Galadriel the kind of partnership she genuinely deserves.

But nope—Celeborn’s the one who’s supposed to come back and eat up screen time because… tradition??????

Because some believe Galadriel’s big arc should end with her standing by a guy who barely even stood by her?

If they’re that dead-set on “canon,” maybe they should take a long look at how that canon actually portrays Celeborn. Because if anyone’s proving their worth right now, it’s Elrond.

If they want canon, let’s give them canon!

Let's hand them Celeborn, the man with the personality of a dish sponge after a holiday dinner and fifteen rounds in the sink!

This is the guy who refused to relocate his household, not because of some noble sense of duty or deep-rooted love for his people, but because the route would’ve passed "too close to Khazad-dûm", and he just couldn’t be bothered to cross paths with Dwarves. Imagine Galadriel’s face, realizing her partner for eternity turned out to be less passionate about cultural exchange than a moldy sandwich.

And don’t even get me started on his little "welcoming committee" scene with Gimli.

First words out of Celeborn’s mouth to a guest are suspicions and accusations because, "oh no, there’s a Dwarf in his fancy Elven halls".

You’d think someone who’s supposed to be thousands of years old could manage a shred of grace—or at least muster a polite hello.

Instead, we get Mr. Wet Toast himself, less tolerant of other cultures than the rocks Gimli probably walked over to get there. The entire dwarf population has more bravery in their pinky fingers than Celeborn has in his entire silver-haired head, and he’s meant to be the Elven standard of strength and honor? Please.

Meanwhile, Galadriel’s over here as a literal ethereal powerhouse, tackling her demons, taking on Sauron, and actively working toward peace. Celeborn is lucky if he can look a Dwarf in the eye without his spine turning into pudding.

You seriously want me to believe that Lady Galadriel—the warrior, the wise, the one who went through hell and high water, the one who’s fiercely loyal, and who has formed deep bonds across cultures, Dwarves included—would settle for this guy?

This guy, really?????

The "lord" who has all the charisma of a damp rag and the empathy of a particularly judgmental houseplant? Not to mention he’s named “Teleporno.”

Really, of all the Elves in Middle-earth, this is the guy who’s supposed to be her equal?

This is the same Galadriel who’d probably have her own ring in "Order of the Istari’s Most Likely to Smack Down Evil", and yet we’re supposed to believe she’d sit around sighing like a maiden over Celeborn, who’s basically the Elven embodiment of a “meh” Yelp review?

He had the GALL to look Gimli up and down like he’d just tracked mud into Lothlórien, while Galadriel herself had the courage to embrace and respect the Dwarves. She saw the good in Gimli without a second thought; Celeborn saw only his own prejudices and assumptions.

This is “Tolkien’s favorite character”? I think not.

And don’t even get me started on the “Teleporno” situation. Like, how are his fans so quick to clutch their pearls about canon purity when their “most beloved” is literally named something that sounds like he moonlights as a backup act in Valinor’s least reputable theater?

Meanwhile, Elrond, the epitome of loyalty, wisdom, and dedication, is over here supporting Galadriel through thick and thin, understanding her losses, and respecting her as an equal. Yet some people insist on clinging to this sad loaf of stale bread as her true love?

If they want canon, they can have it—every single clunky, Teleporno-laden, xenophobic line of it.

We'll be here with Elrond, the guy who genuinely deserves her and actually gets her, cheering on Galadriel as she rolls her eyes and reclaims her independence from Mr. Wet Toast.

Sorry, not sorry—I got heated, but honestly, I can’t help it. Celeborn just brings it out of me. XD

I mean, how can anyone read about this damp dishcloth of an elf who straight-up dismisses Dwarves (after his own wife saved their butts, no less) and say, “Yes, that’s the one for Galadriel”?

Every time I think about it, I’m reminded just how much I despise this man’s entire vibe.

Celeborn’s the elf equivalent of a soggy biscuit who just happens to be standing around in the same forest as Galadriel. I can’t think of a character with less spark, less drive, less anything. And yet, his diehard fans are here waving canon purity in our faces, ignoring every quality that actually means something to Galadriel—loyalty, respect, a bit of humor, maybe even a spine?

So yes, I might’ve gone off, but he’s been “gone missing” for so long for a reason. And let’s be real, no one is rushing to find him, not even his own """"wife""""".

[mhsdatgo]

do you like Aemond ?

Henlo anon <3

Depends which Aemond we're talking about 😭😭😭 Book!Aemond had me clutching my pearls like how can someone be so infuriatingly bad at the job he was nearly at his bro's throat for is so over me like I wanted to curbstomp him so bad. No you don't get it I was tweaking every time that bitch boy's name popped up.

Show!Aemond?? Much better. He's interesting and intriguing, there is so much to his character that despite being left unexplored can be filled in if you're creative enough. His dynamic with every character is worth analysing, he steals the spot in almost every scene he's in (if this was the showrunners' goal then I'd say they succeeded) he's one of the characters I'm the least disappointed in.

I DO feel like he's about to fall into the unnecessary shock value hole like many characters before him and it feels like a slap to the face to be honest 😭 I've got quite mixed feelings about shock value as a whole like there are some instances where I praise it but you'll never see me doing so with shock value in HOTD specifically. It is all linked to sexual traumas somehow and either don't make sense or look more like rage (and problematic fans) bait than shock value.

For example since we're talking about Aemond, we could talk about how he seems to have developed this morbid Oedipus complex (a child's unconscious attraction towards the mother) towards Alicent. Literally the only thing that's missing is the hostility towards the father who is cold in his grave by this point and he's not even worth bringing up. It (supposedly) manifests through Aemond's feeling of entitlement to Alicent's forgiveness, which he doesn't get and thus takes to calling her BY NAME and a fool. Apparently guilt is something Aemond feels only when he's sure Alicent is willing to forgive him, love him and cherish him no matter what he's done. This is a version of Aemond that is so out of touch with reality that he cannot for the life of him comprehend when he's gone too far. (or better, HE DOES, he's absolutely sure the answer to his "I messed up" will always be "I forgive you and I'll move on". When that doesn't happen and Alicent is indeed chilly because he indeed went too far, his guilt turns to bitterness.)

Do we even know what brought him to develop such a mentality?? Is it because, in his eyes, Alicent has always been the one to defend him from whoever? Because we as viewers know for a fact that is NOT TRUE. Like I'm sorry I'm saying this as an Alicent lover but I heard her say the following phrase with my own ears:

"You may cuff him about as you wish at home, but in the world, we must defend our own."

There are A LOT of implications here. The main one being that image is the most important thing to her and should something like Aegon becoming the ringleader of a pack that is SET on treating Aemond like shit come out, it would soil the family's image. Doesn't mean this cannot continue as long as it isn't known. One could argue that it's not like Alicent could know how much of a toll the bullying was taking on Aemond but the way the whole instance of him going to his mother was treated tells me it wasn't the first time, and that therefore, she pretty much knew.

Moreover, that's her child covered in dirt and ash crying about how he was humiliated before the whole Dragonpit, there are no subtleties, there is no way to be mistaken. But that's beyond the point.

What kind of sick fuck came up with this jealousy? Entitlement? How to call it? That Aemond feels towards Alicent and what good/efficient does it do to either of their characters. That's the question, and the answer is NONE THAT'S RIGHT. Doesn't make sense, and was added in because they just wanted more sick fuckery in the show. (because Dyana's rape and future arc isn't enough)

Moving on to the other greatest problem I have with Aemond's characterization: THE INFAMOUS BROTHEL SCENE. COMING UP ON YOUR SCREENS IN A FEW HOURS. ASKERS: NONE.

OOOOUFFFHHHHHHH I've got so many problems with this scene. First of all, what kind of coping mechanism is that? I'm fully convinced this scene is made for nothing else other than fanservice because the implications are nasty. He likes older women, that's fine, valid, relatable and all, but WHY make it the consequence of yet another sexual trauma?

If the streets are right the woman that is cradling him as he lies in her lap naked is the brothel madam that is seen in ep. 8 "The Green Council" (Michelle Bonnard)

Which may or may not be woman he was brought to by his brother at the age 13 to be sexually assaulted by. Look, having Aegon bring his 13 year old brother to engage in sex he's clearly not an enthusiastic party in was already a bad choice, it felt like another bad quality given to Aegon the showrunners didn't know what to do with. But their ADAMANCE on making some kind of subplot out of this because you added it, why the fuck would you forget it? Feels so forced and makes me feel the topic should've stayed that way, unexplored.

Now his relationship with Alys is going to feel like a trauma response too! And that's if they don't go with the "Alys bewitched Aemond and brought him to his death" storyline. (Honestly would be better at this point)

When Aemond and Madam first meet on screen (supposedly for the first time since that nightmare of a birthday) Aemond is clearly CLEARLY uneasy. So fucking uneasy. And it's in the script too:

[creds: @darksvster]

It's something neither her or him have forgotten, and clearly a weak point for Aemond (understandably so.) Yet apparently, in season 2, we'll see him in the arms of the same woman AGAIN! CUDDLED UP LIKE A BABY EVEN!!!

I'm projectile vomiting so hard the recoil throws me out the window and rolling on the road below. There are problems here. A LOT of problems. Who decided it would be good? WHO?

So basically yep. Aemond's characterization appeared solid up until this new season, it seems. There's much more to cover up and I'm ready to RANT about everything I will be seeing on screen but things are looking grim. I just hope I won't have to watch Aemond come back to the woman that traumatized him for more than five minutes at best.

Thanks for the ask anon <3